Abstractcritical.com Website Review

Over 400 published notes and articles, including reviews, interviews, films, opinion pieces and all their as*ociated comments are now continuing the Brancaster Chronicle transcripts first published here. precisely because of their abstractness – for all epochs, are nevertheless, in the specific character of … The Brancaster Chronicles are edited transcripts of recorded discussions made in direct response to exhibitions of abstract painting and sculpture. 19th July 2014, Bermondsey, London. … The Brancaster Chronicles are edited transcripts of recorded discussions made in direct response to exhibitions of abstract painting and sculpture. 19th July 2014, Bermondsey, London. … There is something embarras*ing about painting. Making sculpture seems like labour. But once the stretcher has been screwed together and the   Tony Smith includes seven small sculptures in cast bronze, dating from 1960-74, unusually shown alongside four of Smith’s oil Visiting this exhibition, I often thought of Matisse. Vanessa Jackson encourages the comparison by titling one work Homage a Henri, while Sam Cornish: In the notes you sent me you write about the need you have for (unresolved) conflict in your work, for working with ‘both The Brancaster Chronicles are edited transcripts of recorded discussions made in direct response to exhibitions of abstract. RADICAL GEOMETRY? THE PATRICIA PHELPS DE CISNEROS COLLECTION AT THE RA. The perversity of an exhibition centring upon ‘Radical’ art being drawn entirely from a collection which serves as the philanthropic. RADICAL GEOMETRY? THE PATRICIA PHELPS DE CISNEROS COLLECTION AT THE RA. The exhibitions Malevich at Tate Modern and Mondrian and Colour at Turner Contemporary, Margate afford the opportunity to as*ess and The Brancaster Chronicles are edited transcripts of recorded discussions made in direct response to exhibitions of abstract At the beginning of the year I reviewed a show by Dominic Beattie at Fold Gallery. Since then I’ve spoken with him on a few …