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Country: United States
Metropolitan Area: San Francisco
Postal Reference Code: 94110
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This concert performance of Tchaikovsky’s operatic masterpiece, given at the Grand Hall of the Moscow Conservatory in December 1989 but sometimes erroneously attributed to 1990, was an important early appearance by the late baritone Dmitri Hvorostovsky in the role of the master tapes. It was previously issued, in somewhat drier and boxier sound, on MCA AED 3-68023 and Relief CR 991067. Although this is not quite as taut and driving a performance as Mark Ermler’s famous Philips recording with Tamara Milashkina (Lisa), Vladimir Atlantov (Hermann), Andrei Fedoseyev (Yeletsky) and Elena Obraztsouva (Countess), it is much better sung. Everyone is in great voice, the natural hall acoustics give the whole endeavor a wonderful presence, and despite Fedoseyev’s slightly more relaxed tempi the roles very well. Atlantov, one of my all-time favorite Russian tenors, had a huge, bronze voice, almost like a Russian Caruso, with a very distinctive timbre, yet although Vitaly Tarashchenko has a more generic Russian sound he sings with greater ease and an equally brilliant top (Franco Corelli, eat your heart out!). Nina Romanova, who sings Pauline (Arkhipova’s star role in this opera until she was moved on to the Countess), also has an outstanding voice. And, of course, young Hvorostovsky is of a world standard while Andrei Fedoseyev (I’d bet the son or brother of the current set’s conductor) was just OK in his role. In addition, all the singers here blend their voices together beautifully in ensembles, a detail one rarely hears in modern performances of almost anything nowadays. Where the rubber meets the road, so to speak, is in the latter part of the opera, where Lisa’s pas*ions and Hermann’s mania reach a fever pitch. Natalia Datsko drives her beautiful soprano voice about as well as you could expect, but Milashkina, in the commercial recording, is practically at the brink of insanity despite her thinner, shriller, more nasal voice. She doesn’t sing beautifully and was several years


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/2018/12/26/arkhipova-and-hvorostovsky-star-in-queen-of-spades/:
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Arkhipova and Hvorostovsky Star in “Queen of Spades” | THE ART MUSIC LOUNGE

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TCHAIKOVSKY: Queen of Spades (Pique Dame) / Vitaly Tarashchenko, ten (Hermann); Natalia Datsko, sop (Lisa); Irina Arkhipova, mezzo (Countess); Dmitri Hvorostovsky, bar (Prince Yeletsky); Nina Romanova, mezzo (Pauline); Grigory Gritsyuk, bar (Count Tomsky); Alexander Vedernikov, b (Surin); Oleg Klenov, bar (Chekalinsky); Vladimir Grishko, ten (Major-Domo); Tatiana Kuzminova, mezzo (Governess); Lidia Chernykh, sop (Masha); Yurlov Republican…

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/2018/12/26/antheils-orchestral-works-in-new-recording/:
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Antheil’s Orchestral Works in New Recording | THE ART MUSIC LOUNGE

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ANTHEIL: Archipelago. Symphony No. 3, “American.” Hot-Time Dance. Symphony No. 6, “After Delacroix.” Spectre of the Rose Waltz / BBC Philharmonic Orch.; John Storgårds, cond / Chandos CHAN 10982 This album of music by George Antheil covers his later (post-1920s) output, the earliest work here being the Archipelago rhumba of 1935 and the latest being…

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/2018/12/25/papandopulo-returns/:
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Papandopulo Returns! | THE ART MUSIC LOUNGE

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PAPANDOPULO: Piccolo Concerto.1 Harpsichord Concerto.2 5 Orchestral Songs for Baritone, String Orchestra & Harp3 / 1Michael Martin Kofler, pic; 2Jörg Halubek, hpd; 3Miljenko Turk, bar; Southwest German Chamber Orch. Pforzheim; Timo Handschuh, cond / CPO 777 941-2 Having reviewed Ville Matvejeff’s excellent CPO album of Boris Papandopulo’s Third Symphony and Violin Concerto about a year…

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/2018/12/25/discovering-the-music-of-apostel/:
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Discovering the Music of Apostel | THE ART MUSIC LOUNGE

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APOSTEL: 11 Variationen über ein eigenes Thema. Kubiniana, 11 Piano Pieces. Sechzig Schemen nach Zeichnungen von Alfred Kubin / Thérèse Malengreau, pno / Bis SACD-2405 It has become an acceptable and fairly widespread fad in the cl ical music industry, since the late 1990s, to present albums of music by composers banned by the Nazis, but…

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/2018/12/24/ahos-br [censorship] -concerti-recorded/:
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Aho’s Br Concerti Recorded | THE ART MUSIC LOUNGE

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AHO: Trombone Concerto.* Trumpet Concerto+ / *Jörgen van Rijen, tb; +Alain De Rudder, tpt; Antwerp Symphony Orch.; Martyn Brabbins, cond / Bis SACD-2196 In the 1970s, Bis’ modern composer of choice was Leif Segerstam, who I have written about previously. Nowadays it’s Kalevi Aho. Their music is radically different in style: Segerstam amorphous and flowing,…

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