Artradarjournal.com Website Review

while publication of new content has ceased on 28 november 2018, with the last newsletter going out on 29 november, the archive of several thousand articles will remain available online for up to two years. would like to find a new patron, institution or library willing to acquire the archive and make it available to artists, students and of dozens freelance writers around asia and infrastructure of tens of thousands of followers across various social media platforms intact. we are proud to have created an important archive docu*enting the rise of the contemporary as*an art scene from 2008 to 2018. this ten-year period was pivotal in as*an art history: it was a time when art fairs first emerged in asia, international galleries arrived in the region, new art schools were set up, contemporary art museums were planned and established, and international interest in as*an contemporary art our work has been referenced or featured in university course material, international press and museum publications, among others. if you have a contact who might want to learn more about this opportunity please help us out by forwarding this message to them. if you are a student it would be a great help if you could ask your tutors or librarians if they are interested. thank you to all our readers and followers, writers and artists for their support and involvement over the last ten years. . “catastrophe and the power of art”: art, disaster and social change at mori art museum, tokyo. tokyo’s mori art museum hosts the monumental group show “catastrophe and the power of art”, curated by kondo kenichi. featuring 40 artists and collectives, the exhibition examines ways of articulating disastrous events and harnessing the ‘power’ of the ono: installations and performances,” macedonian museum of contemporary art, thessaloniki, greece, 2016. image courtesy mori art to speak of catastrophe – to excavate, memorialise and discuss it – is to somehow quantify or rationalise it. any processes of