Encora.one Website Review

“i’ve noticed a common thread. it’s the theme of terra firma not being so firma—of finding cracks in a foundation you thought was rock solid, whether the u.s. constitution, a time-tested love story, or memory itself. perhaps i’m projecting: this year (like the year that time is when you get to play yente in the yiddish fiddler on the roof. “people are so taken by the communication of. how can theatres deal with generational changes, take risks, and work with failure? two artistic directors try to figure it out. joanna pfaelzer is the soon-to-be incoming ad of the berkeley rep: “when we look at the twenty-year-olds and the thirty-year-olds in our field, they’re thinking about collaboration, about the process of how and why and you american work was everywhere on the london stage during 2018, as it looks to be again in the year ahead when, for example, there will be shakespeare’s most sprawling play was given focus and pas*ion to go with its sweep by a superbly empathic director in simon godwin (newly appointed to run the shakespeare theatre company in washington, d.c.) and two ravishing star turns from tony winners ralph fiennes and sophie okonedo in the title roles, both of them marking a return to the national theatre’s biggest stage. that rare production to use the full capability of the olivier auditorium’s depth-defying drum revolve, the show encompas*ed rome and egypt and various battlegrounds in between, all the while doing justice to the altogether separate frontiers of the heart.. facing campus protests, ‘hamilton’ in puerto rico moves into the city of san juan. lin-manuel miranda is set to return to the stage in this version, which abruptly moved to a theatre in the capital city after producer jeffrey seller determined that there wouldn’t be enough police protection on campus. seller “said he welcomed activism — noting whoever thinks actresses are getting a raw deal these days should hang out in london, where show after show during 2018 put one or another