Filmmattersmagazine.com Website Review

the subliminal influence of ninety-degree angles in 2001: a space odyssey. by david flaherty. amazing shots of space shuttles flying peacefully through the cosmos accompanied by beautiful clas*ical music? nobody had seen anything like it before and we still haven’t seen anything like it since. one element of this film that makes it so powerful is the reoccurring motif of ninety-degree angles that can be seen in its props, set designs, and cinematography. there have been many an*lyses and the film really means, and have influenced us subliminally with this ninety-degree-angle motif through props, set designs, and specific contributors: benjamin davis, david k. flaherty, christian e. gainey, gregory m. guidry amy hicks, heather jensen, grace miller, carla pike, nick ryder, hannah sieber, tory a. silinski, and k. francis sullivan. comments off on election (1999). reviewed by film matters fall 2018 editorial board in a fatal plane crash, leaving her with his hefty fortune. the film is set in new york city and provides the perfect backdrop to accompany molly’s fiery and bright personality. when molly’s accountant takes off with all of her trust fund, she is forced to find a job and make it on her own. molly finds a job working as a nanny to eight-year-old ray schleine (dakota fanning), who seems to be ten times as ma*ure as molly for such a young age. throughout the film, molly deals with great misfortune but, visually, she remains the energetic carefree gi*l we are presented with from the start. this visual motif serves as an ode to molly’s character. wherever life takes molly gunn, sparkle and color are sure to follow her. continue reading →. grant brighter, author of fm 9.1 (2018) article “warped space-time: exploiting schematic as*umptions in ritual in transfigured time”. grant brighter: this project examines an underdeveloped area of inquiry pertaining to the american avant-garde during the 1940s: the dynamic between the avant-garde and the commercial film industry as it relates to the mechanics of the human mind. through formal an*lysis, i