Graylit.org receives about 476 visitors in one month. That could possibly earn $2.38 each month or $0.08 each day. Server of the website is located in the United States. Graylit.org main page was reached and loaded in 0.66 seconds. This is a good result. Try the services listed at the bottom of the page to search for available improvements.
Is graylit.org legit? | |
Website Value | $43 |
Alexa Rank | 7585221 |
Monthly Visits | 476 |
Daily Visits | 16 |
Monthly Earnings | $2.38 |
Daily Earnings | $0.08 |
Country: United States
Metropolitan Area: New York
Postal Reference Code: 10013
Latitude: 40.7157
Longitude: -74
HTML Tag | Content | Informative? |
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Title: | Could be improved | |
Description: | Not set | Empty |
H1: | GRAYLIT | Is it informative enough? |
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/monthly-gallery/: | |
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JVP Galleries — GRAYLIT |
Description |
This gallery site is a project created by members of the JVP Artist Council, intended to house an evolving archive of creative and cultural work relevant to JVP's mission and goals. We intend these galleries to offer resources and tools for inspiration, reflection, education, and to do ent some of thedifferent strategies and experiments created by artists and cultural workers in the JVP network. These galleries will be created by members of the Artist Council and by guest curators from allied organizations and social justice movements. [censored]
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/blog/2018/11/26/welcome-to-graylit: | |
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What is GrayLit? — GRAYLIT |
Description |
GrayLit, December 2018. In this moment, GrayLit: A Culture Hub sets off on a journey defined by social and political aspirations to be decolonial in orientation. It strives to contribute to an emergent culture shift happening at the intersections of Palestinian and Jewish histories, via critical thought and art in connection to interdependent movements for justice. |
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GRAYLIT |
/blog/2019/1/1/sharif-waked-bath-time: | |
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Sharif Waked - Bath Time — GRAYLIT |
Description |
Sharif Waked’s video Bath Time is a 5 minute video of a donkey standing under running water. It’s simple. White tiles, uneven grout and neon lights imply that we are either in a typical non-descript gym or someplace industrial. There are eight shower heads above our protagonist, we don’t see the actual hardware, just the jets of water. She is wearing a minimalist white harness; one strap encircling her whole head, one across her nose, and a third under her chin. |
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EXCERPTS FROM INTERVIEW W/ENAYA THE DONKEY |
/blog/2018/11/26/home-amp-blood-like-land-amp-water-camille-hoffman: | |
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Home & Blood, Like Land & Water — GRAYLIT |
Description |
Camille Hoffman (b. 1987, Chicago, IL) My questions around the meaning of home and land, like my paintings, are tumultuous, layered, and liquiform. My collaged surfaces are a working corporal excavation into my past, a critical observance of the history of the earth that I live on, and the unrelenting violence on the multiple lands from which my ancestors come. |
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GRAYLIT |
/blog/2018/11/26/poetry-for-amp-with-dareen: | |
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Title |
Roses in Salted Soil — GRAYLIT |
Description |
MAY 3, 2018: An event with artists working at the intersection of identity, borders, and diaspora, on the day imprisoned Palestinian poet Dareen Tatour received a guilty verdict from an Israeli court for a poem urging her people to resist oppression, in the month that marked over 70 years of ongoing Nakba. |
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