Hidayatmeikita.wordpress.com Website Review

: dbwordpress (adjust to the database you created earlier) Twice Pas*word FILL YOUR PAS*WORD 2 times, If green means it's safe enough If successful it will appear as shown below, then click LOGIN to enter your dashboard Sunday night, June 6 2015, together with the final night of the Champions League in Berlin, it presents a different corner of the campus complex. A dim, small stage in front of the Faculty of Literature, Muhammadiayh University of Purwokerto, surrounded by small candles and two large red candles. Romantic. That impression directly ambushed the people who came at that moment. Middle literary students in the drama stage. Most of the dialogues from the original play are retained, including the very original Banyumasan dialect and the retention of verbal devices in the stage is very important to bring humor to the audience. Students who are on the words uttered by players on the stage, especially those who come from outside Banyumas. In fact, the player also didn't tell the story of the mother. The humorous genre made the story very light and not renewed, because in the end the mother-child marriage was canceled, because of the mother's meeting with the prospective in-laws, who was a husband who was separated for decades. The style of closing the play by mentioning the title of the story as a final sign reminds us of the stages of the past, young Serasa Suliyah, played by Sovian Nisa, who is really present on that stage. The silliness and sadness of the Srikandi was slapped like sticking and really anesthetizing the audience. Na*ghty responses from viewers who are indeed friends themselves are able to be welcomed and packaged into part of the story. And the nature of the Banyumasan dialect which is very thick from the Peang cast makes the humor legend Banyumasan seemed to be raised from nothing. Efforts have been initiated by creative students from the Faculty of Literature