Kestrelpi.co.uk Website Review

Since 2014 I have been taking on composing work with a focus on video game soundtracks, with work published on platforms including PC, As of 2017 I have made a career change enabling me to work as a composer part-time. If you have a small to medium-sized project (approx. 45 minutes of music or less), and want memorable music that will complement the mood Why 'small to medium-sized' projects? I work as a composer part-time, and so small to medium-sized projects are usually the easiest to accommodate. But I'm certainly willing to consider larger, longer term projects, so if you think I'm right for you then please I strive to be very easy to work with, and I love to collaborate with people on great games or other projects and help them to make them the best they can be. If that sounds good to you, WE SHOULD TALK. Most commonly I charge a very reasonable PER-MINUTE RATE which varies depending on the requirements of the project. This includes UNLIMITED Other kinds of rate including reduced fees in exchange for a REVENUE-SHARE are also possible and considered on a project-by-project I prefer to work out a licence deal where you have exclusive, perpetual rights to use the music in your project, but I retain copyright and right to independently sell the soundtrack (subject to agreement on artwork, packaging, etc) negotiate a reasonable revenue-share for soundtrack sales will make this option more agreeable. > Peter has this eye-widening ability to create music that feels like > a clas*ic people have known for decades. > My first choice for game music. The work he’s produced for my > projects has been diverse and well tailored to each game. For a > creative, dynamic soundtrack for your next game I very much > recommend Peter Silk. > Peter was a delight to work with. We felt involved in every > iteration of his audio sketches, and I’m still haunted by the > spot-on, jocular creepiness he weaved into Mimic’s demo > soundtrack.