Monitoringdivadiel.sk Website Review

How influenced is the alarming state of nature in the current hyper-societies? Can we contribute to reducing our environmental burden by our private activity? What environmental footprint does a newborn child leave behind? In the adventurous times, the Open Opera As*ociation introduced its second project, the production of the Gioachino Rossini Opera, La Scala di seta. Right from the beginning, I must remind the reader that Maria Mária Terézia, whose name is in the title of this text, has nothing to do with the studied work. The native of Pesaro, Italy, compiled a one-party conversation franc in 1812, more than thirty years after the death of the great sovereign. The spirits of the time when the opera was performed in Slovakia almost exclusively in the noble settlements, the viewer was breathing in the atmosphere in which the performance was taking place: The Zichy Palace on Venturská Street was built in 1775, at the time of regular visits by Maria Theresa in Bratislava. After nearly nine years, she returned to Puccini Tosca's SND Opera House. In the modern history of the SND (after the Second World War), it is the fourth production of one of the most popular works of the world opera work. The previous premieres took place in 1957 (directed by Štefan Hoza), 1973 (Branislav Kriška, renewed in the new vocal cast in 1987) and 1997 (Miroslav Fischer). The middle of the three best-known Puccini's legs, after their world premiere in 1900, received a controversy, primarily thanks to a libretto tending to a verisim which portrayed (behind the scene or scene) an act of to*ture, an attempted ra*e, a murder by a religious singer to a representative of the state execution. It is not customary that the personality of the director of the English National Opera, who is at that time Daniel Kramer, an American director with a European education and an artist biography, would be directed in Slovakia. For that, in the case of opera-herb