Mortajonynaite.com Website Review

Morta Jonynaite

Whispers Through Mythology, water and b ities surrounding me I look for ‘whispers’ that could resonate with our world. I want to create narrative that...

Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,thumb:34161956,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34161956,project_id:6723505,image_ref:{image 1},name:bone.jpg,hash:465aca212eea01f3579d6842ac5c947ef4a99df601da441f372021c90d8bb196,width:3024,height:4032,sort:0,date_added:1548868379},stored:{ratio:133.33333333333,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:4,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6723505] .container_width { } [local-style=6723505] body { background-color: initial 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Side Effect Cabinet Info,content_partial_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,thumb:,thumb_meta:null,thumb_is_visible:false,sort:9,index:0,set_id:0,page_options:{using_local_css:false,local_css:[local-style=6722923] .container_width { } [local-style=6722923] body { background-color: initial /*!variable_defaults*/; } [local-style=6722923] .backdrop { } [local-style=6722923] .page { } [local-style=6722923] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722923] .content_padding { } [data-predefined-style= rue] [local-style=6722923] bodycopy { } [data-predefined-style= rue] [local-style=6722923] bodycopy a { } [data-predefined-style= rue] [local-style=6722923] h1 { } [data-predefined-style= rue] [local-style=6722923] h1 a { } [data-predefined-style= rue] [local-style=6722923] h2 { } [data-predefined-style= rue] [local-style=6722923] h2 a { } [data-predefined-style= 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I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,thumb:34555124,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34555124,project_id:6742255,image_ref:{image 1},name:Screen-Shot-2018-05-29-at-14.03.14.png,hash:37fbf29695929514418e4792a8e773bd58194075e218edf51ed9690e7631e0af,width:1576,height:1416,sort:0,date_added:1549293411},stored:{ratio:89.847715736041,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:2,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6742255] .container_width { } [local-style=6742255] body { } [local-style=6742255] .backdrop { } [local-style=6742255] .page { } [local-style=6742255] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6742255] .content_padding { } [data-predefined-style= rue] [local-style=6742255] bodycopy { } [data-predefined-style= rue] [local-style=6742255] bodycopy a { } [data-predefined-style= rue] 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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19},name:nety.jpg,hash:350ff50073c929d68081a450e204b3cda934379431275d43a2a4843b5e26f44a,width:3024,height:4032,sort:0,date_added:1549040635}],backdrop:null},{id:6723505,site_id:365487,project_url:Whispers,direct_link:https://mortajonynaite.com/Whispers,type:page,title:Whispers,title_no_html:Whispers,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,thumb:34161956,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34161956,project_id:6723505,image_ref:{image 1},name:bone.jpg,hash:465aca212eea01f3579d6842ac5c947ef4a99df601da441f372021c90d8bb196,width:3024,height:4032,sort:0,date_added:1548868379},stored:{ratio:133.33333333333,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:4,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6723505] .container_width { } [local-style=6723505] body { background-color: initial /*!variable_defaults*/; 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,thumb:34566675,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34566675,project_id:6798362,image_ref:{image 1},name:1.jpg,hash:f647056f6547bb253ba3c0e5f6d0c00bce2a70998f5f6dbacab24b6159e39fb5,width:5878,height:3919,sort:0,date_added:1549300155},stored:{ratio:66.672337529772,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:5,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6798362] .container_width { } [local-style=6798362] body { } [local-style=6798362] .backdrop { } [local-style=6798362] .page { } [local-style=6798362] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6798362] .content_padding { } [data-predefined-style= rue] [local-style=6798362] bodycopy { } [data-predefined-style= rue] [local-style=6798362] bodycopy a { } 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By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. 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Whispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_no_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_partial_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,thumb:,thumb_meta:null,thumb_is_visible:false,sort:9,index:0,set_id:0,page_options:{using_local_css:false,local_css:[local-style=6722923] .container_width { } [local-style=6722923] body { background-color: initial /*!variable_defaults*/; } [local-style=6722923] .backdrop { } [local-style=6722923] .page { } [local-style=6722923] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722923] .content_padding { } [data-predefined-style= rue] [local-style=6722923] bodycopy { } [data-predefined-style= rue] [local-style=6722923] bodycopy a { } [data-predefined-style= rue] [local-style=6722923] h1 { } [data-predefined-style= rue] [local-style=6722923] h1 a { } [data-predefined-style= rue] [local-style=6722923] h2 { } [data-predefined-style= rue] [local-style=6722923] h2 a { } [data-predefined-style= rue] [local-style=6722923] small { } [data-predefined-style= rue] [local-style=6722923] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:top,overlay:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null},{id:6722660,site_id:365487,project_url:Running-on-Cargo,direct_link:https://mortajonynaite.com/Running-on-Cargo,type:page,title:Running on Cargo,title_no_html:Running on Cargo,tags:,display:false,pin:true,pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true},in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Running on Cargo,content:Running on Cargo,content_no_html:Running on Cargo,content_partial_html:Running on Cargo,thumb:,thumb_meta:null,thumb_is_visible:false,sort:10,index:0,set_id:0,page_options:{using_local_css:true,local_css:[local-style=6722660] .container_width { } [local-style=6722660] body { } [local-style=6722660] .backdrop { } [local-style=6722660] .page { } [local-style=6722660] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722660] .content_padding { padding-top: 10rem /*!main_margin*/; padding-bottom: 10rem /*!main_margin*/; padding-left: 10rem /*!main_margin*/; padding-right: 10rem /*!main_margin*/; } [data-predefined-style= rue] [local-style=6722660] bodycopy { } [data-predefined-style= rue] [local-style=6722660] bodycopy a { color: rgba(0, 0, 0, 0.25); border-bottom: 0; } [data-predefined-style= rue] [local-style=6722660] h1 { } [data-predefined-style= rue] [local-style=6722660] h1 a { } [data-predefined-style= rue] [local-style=6722660] h2 { } [data-predefined-style= rue] [local-style=6722660] h2 a { } [data-predefined-style= rue] [local-style=6722660] small { } [data-predefined-style= rue] [local-style=6722660] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,main_margin:10,advanced_padding_enabled:false,main_margin_top:10,main_margin_right:10,main_margin_bottom:10,main_margin_left:10,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null}]}[{id:6742255,site_id:365487,project_url:La-Modella,direct_link:https://mortajonynaite.com/La-Modella,type:page,title:La Modella,title_no_html:La Modella,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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19},name:nety.jpg,hash:350ff50073c929d68081a450e204b3cda934379431275d43a2a4843b5e26f44a,width:3024,height:4032,sort:0,date_added:1549040635}],backdrop:null},{id:6723505,site_id:365487,project_url:Whispers,direct_link:https://mortajonynaite.com/Whispers,type:page,title:Whispers,title_no_html:Whispers,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,thumb:34161956,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34161956,project_id:6723505,image_ref:{image 1},name:bone.jpg,hash:465aca212eea01f3579d6842ac5c947ef4a99df601da441f372021c90d8bb196,width:3024,height:4032,sort:0,date_added:1548868379},stored:{ratio:133.33333333333,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:4,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6723505] .container_width { } [local-style=6723505] body { background-color: initial /*!variable_defaults*/; 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,thumb:34566675,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34566675,project_id:6798362,image_ref:{image 1},name:1.jpg,hash:f647056f6547bb253ba3c0e5f6d0c00bce2a70998f5f6dbacab24b6159e39fb5,width:5878,height:3919,sort:0,date_added:1549300155},stored:{ratio:66.672337529772,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:5,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6798362] .container_width { } [local-style=6798362] body { } [local-style=6798362] .backdrop { } [local-style=6798362] .page { } [local-style=6798362] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6798362] .content_padding { } [data-predefined-style= rue] [local-style=6798362] bodycopy { } [data-predefined-style= rue] [local-style=6798362] bodycopy a { } 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28},name:color.jpg,hash:77eec34f1c9348b7fcda0c5ac29c3796491a93eeb7cff0890ca56c451233d111,width:2511,height:2548,sort:0,date_added:1549803900}],backdrop:null},{id:6846615,site_id:365487,project_url:Info,direct_link:https://mortajonynaite.com/Info,type:page,title:Info,title_no_html:Info,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories,...,content: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. 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Morta Jonynaite

Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with...

Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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Info,thumb:,thumb_meta:null,thumb_is_visible:false,sort:9,index:0,set_id:0,page_options:{using_local_css:false,local_css:[local-style=6722923] .container_width { } [local-style=6722923] body { background-color: initial /*!variable_defaults*/; } [local-style=6722923] .backdrop { } [local-style=6722923] .page { } [local-style=6722923] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722923] .content_padding { } [data-predefined-style= rue] [local-style=6722923] bodycopy { } [data-predefined-style= rue] [local-style=6722923] bodycopy a { } [data-predefined-style= rue] [local-style=6722923] h1 { } [data-predefined-style= rue] [local-style=6722923] h1 a { } [data-predefined-style= rue] [local-style=6722923] h2 { } [data-predefined-style= rue] [local-style=6722923] h2 a { } [data-predefined-style= rue] [local-style=6722923] small { } [data-predefined-style= rue] [local-style=6722923] small a { 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I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. ,content_no_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. {image 11} {image 12} {image 14} {image 15} {image 17 scale=100} {image 2} {image 16} ,content_partial_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. 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By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. 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Whispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_no_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_partial_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,thumb:,thumb_meta:null,thumb_is_visible:false,sort:9,index:0,set_id:0,page_options:{using_local_css:false,local_css:[local-style=6722923] .container_width { } [local-style=6722923] body { background-color: initial /*!variable_defaults*/; } [local-style=6722923] .backdrop { } [local-style=6722923] .page { } [local-style=6722923] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722923] .content_padding { } [data-predefined-style= rue] [local-style=6722923] bodycopy { } [data-predefined-style= rue] [local-style=6722923] bodycopy a { } [data-predefined-style= rue] [local-style=6722923] h1 { } [data-predefined-style= rue] [local-style=6722923] h1 a { } [data-predefined-style= rue] [local-style=6722923] h2 { } [data-predefined-style= rue] [local-style=6722923] h2 a { } [data-predefined-style= rue] [local-style=6722923] small { } [data-predefined-style= rue] [local-style=6722923] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:top,overlay:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null},{id:6722660,site_id:365487,project_url:Running-on-Cargo,direct_link:https://mortajonynaite.com/Running-on-Cargo,type:page,title:Running on Cargo,title_no_html:Running on Cargo,tags:,display:false,pin:true,pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true},in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Running on Cargo,content:Running on Cargo,content_no_html:Running on Cargo,content_partial_html:Running on Cargo,thumb:,thumb_meta:null,thumb_is_visible:false,sort:10,index:0,set_id:0,page_options:{using_local_css:true,local_css:[local-style=6722660] .container_width { } [local-style=6722660] body { } [local-style=6722660] .backdrop { } [local-style=6722660] .page { } [local-style=6722660] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722660] .content_padding { padding-top: 10rem /*!main_margin*/; padding-bottom: 10rem /*!main_margin*/; padding-left: 10rem /*!main_margin*/; padding-right: 10rem /*!main_margin*/; } [data-predefined-style= rue] [local-style=6722660] bodycopy { } [data-predefined-style= rue] [local-style=6722660] bodycopy a { color: rgba(0, 0, 0, 0.25); border-bottom: 0; } [data-predefined-style= rue] [local-style=6722660] h1 { } [data-predefined-style= rue] [local-style=6722660] h1 a { } [data-predefined-style= rue] [local-style=6722660] h2 { } [data-predefined-style= rue] [local-style=6722660] h2 a { } [data-predefined-style= rue] [local-style=6722660] small { } [data-predefined-style= rue] [local-style=6722660] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,main_margin:10,advanced_padding_enabled:false,main_margin_top:10,main_margin_right:10,main_margin_bottom:10,main_margin_left:10,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null}]}[{id:6742255,site_id:365487,project_url:La-Modella,direct_link:https://mortajonynaite.com/La-Modella,type:page,title:La Modella,title_no_html:La Modella,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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28},name:color.jpg,hash:77eec34f1c9348b7fcda0c5ac29c3796491a93eeb7cff0890ca56c451233d111,width:2511,height:2548,sort:0,date_added:1549803900}],backdrop:null},{id:6846615,site_id:365487,project_url:Info,direct_link:https://mortajonynaite.com/Info,type:page,title:Info,title_no_html:Info,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories,...,content: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. 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Morta Jonynaite

La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I...

La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. 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I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,thumb:34555124,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34555124,project_id:6742255,image_ref:{image 1},name:Screen-Shot-2018-05-29-at-14.03.14.png,hash:37fbf29695929514418e4792a8e773bd58194075e218edf51ed9690e7631e0af,width:1576,height:1416,sort:0,date_added:1549293411},stored:{ratio:89.847715736041,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:2,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6742255] .container_width { } [local-style=6742255] body { } [local-style=6742255] .backdrop { } [local-style=6742255] .page { } [local-style=6742255] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6742255] .content_padding { } [data-predefined-style= rue] [local-style=6742255] bodycopy { } [data-predefined-style= rue] [local-style=6742255] bodycopy a { } [data-predefined-style= rue] 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,thumb:34162939,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34162939,project_id:6723692,image_ref:{image 1},name:GHOST.jpg,hash:a1c970cc935afeddcd909a7cbf382effbe3a394c18e0d4f4580f7b903cea7897,width:6000,height:4000,sort:0,date_added:1548868961},stored:{ratio:66.666666666667,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:3,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6723692] .container_width { } [local-style=6723692] body { } [local-style=6723692] .backdrop { } [local-style=6723692] .page { } [local-style=6723692] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6723692] .content_padding { } [data-predefined-style= rue] [local-style=6723692] bodycopy { } [data-predefined-style= rue] [local-style=6723692] bodycopy a { } [data-predefined-style= rue] 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19},name:nety.jpg,hash:350ff50073c929d68081a450e204b3cda934379431275d43a2a4843b5e26f44a,width:3024,height:4032,sort:0,date_added:1549040635}],backdrop:null},{id:6723505,site_id:365487,project_url:Whispers,direct_link:https://mortajonynaite.com/Whispers,type:page,title:Whispers,title_no_html:Whispers,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. ,content_no_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. {image 11} {image 12} {image 14} {image 15} {image 17 scale=100} {image 2} {image 16} ,content_partial_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. 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By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,thumb:34835383,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34835383,project_id:6846615,image_ref:{image 1},name:Screen-Shot-2018-05-29-at-14.04.40.png,hash:7831cc4694d466d176991610f9815870d221b4caf08448b20d73c6c3becc3c69,width:1970,height:1442,sort:0,date_added:1549296764},stored:{ratio:73.197969543147,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:8,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6846615] .container_width { } [local-style=6846615] body { background-color: initial /*!variable_defaults*/; } [local-style=6846615] .backdrop { } [local-style=6846615] .page { } [local-style=6846615] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6846615] .content_padding { } [data-predefined-style= rue] [local-style=6846615] bodycopy { } [data-predefined-style= rue] [local-style=6846615] bodycopy a { } [data-predefined-style= rue] [local-style=6846615] h1 { } [data-predefined-style= rue] [local-style=6846615] h1 a { } [data-predefined-style= rue] [local-style=6846615] h2 { } [data-predefined-style= rue] [local-style=6846615] h2 a { } [data-predefined-style= rue] [local-style=6846615] small { } [data-predefined-style= rue] [local-style=6846615] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:}},set_open:false,images:[{id:34835383,project_id:6846615,image_ref:{image 1},name:Screen-Shot-2018-05-29-at-14.04.40.png,hash:7831cc4694d466d176991610f9815870d221b4caf08448b20d73c6c3becc3c69,width:1970,height:1442,sort:0,date_added:1549296764}],backdrop:null}]{page_id:6742255}{id:1820917,name:Columns,path:columns,mode_id:2,site_id:365487,page_id:null,iterator:1,is_active:true,data:{column_size:10,columns:3,crop:false,filter_set:,filter_tags:,filter_type:all,meta_data:{},mobile_data:{columns:2,column_size:11,thumbnails_padding:1,separate_mobile_view:false},padding:1,responsive:true,random_limit:999,show_excerpt:false,show_tags:true,show_thumbs:false,thumb_crop:1x1,thumbnails_padding:2,thumbnails_width:100,show_title:true,responsive_columns:2,responsive_thumbnails_padding:1}}[{name:Grid,path:grid,sort:0,mode_id:1},{name:Columns,path:columns,sort:1,mode_id:2},{name:Justify,path:justify,sort:2,mode_id:3},{name:Freeform,path:freeform,sort:3,mode_id:5},{name:Montessori,path:montessori,sort:4,mode_id:4}][] {{#if this.is_set}} {{#each pages}} {{#if this.is_set}} {{>page_master}} {{else}} {{>page}} {{/if}} {{/each}} {{else}} {{>page}} {{/if}}{{#if pin}} {{!-- Do not render pins in this view --}} {{else}} {{print content}} {{{ page_opt

Whispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_no_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_partial_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,thumb:,thumb_meta:null,thumb_is_visible:false,sort:9,index:0,set_id:0,page_options:{using_local_css:false,local_css:[local-style=6722923] .container_width { } [local-style=6722923] body { background-color: initial /*!variable_defaults*/; } [local-style=6722923] .backdrop { } [local-style=6722923] .page { } [local-style=6722923] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722923] .content_padding { } [data-predefined-style= rue] [local-style=6722923] bodycopy { } [data-predefined-style= rue] [local-style=6722923] bodycopy a { } [data-predefined-style= rue] [local-style=6722923] h1 { } [data-predefined-style= rue] [local-style=6722923] h1 a { } [data-predefined-style= rue] [local-style=6722923] h2 { } [data-predefined-style= rue] [local-style=6722923] h2 a { } [data-predefined-style= rue] [local-style=6722923] small { } [data-predefined-style= rue] [local-style=6722923] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:top,overlay:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null},{id:6722660,site_id:365487,project_url:Running-on-Cargo,direct_link:https://mortajonynaite.com/Running-on-Cargo,type:page,title:Running on Cargo,title_no_html:Running on Cargo,tags:,display:false,pin:true,pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true},in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Running on Cargo,content:Running on Cargo,content_no_html:Running on Cargo,content_partial_html:Running on Cargo,thumb:,thumb_meta:null,thumb_is_visible:false,sort:10,index:0,set_id:0,page_options:{using_local_css:true,local_css:[local-style=6722660] .container_width { } [local-style=6722660] body { } [local-style=6722660] .backdrop { } [local-style=6722660] .page { } [local-style=6722660] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722660] .content_padding { padding-top: 10rem /*!main_margin*/; padding-bottom: 10rem /*!main_margin*/; padding-left: 10rem /*!main_margin*/; padding-right: 10rem /*!main_margin*/; } [data-predefined-style= rue] [local-style=6722660] bodycopy { } [data-predefined-style= rue] [local-style=6722660] bodycopy a { color: rgba(0, 0, 0, 0.25); border-bottom: 0; } [data-predefined-style= rue] [local-style=6722660] h1 { } [data-predefined-style= rue] [local-style=6722660] h1 a { } [data-predefined-style= rue] [local-style=6722660] h2 { } [data-predefined-style= rue] [local-style=6722660] h2 a { } [data-predefined-style= rue] [local-style=6722660] small { } [data-predefined-style= rue] [local-style=6722660] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,main_margin:10,advanced_padding_enabled:false,main_margin_top:10,main_margin_right:10,main_margin_bottom:10,main_margin_left:10,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null}]}[{id:6742255,site_id:365487,project_url:La-Modella,direct_link:https://mortajonynaite.com/La-Modella,type:page,title:La Modella,title_no_html:La Modella,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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28},name:color.jpg,hash:77eec34f1c9348b7fcda0c5ac29c3796491a93eeb7cff0890ca56c451233d111,width:2511,height:2548,sort:0,date_added:1549803900}],backdrop:null},{id:6846615,site_id:365487,project_url:Info,direct_link:https://mortajonynaite.com/Info,type:page,title:Info,title_no_html:Info,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories,...,content: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. 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Morta Jonynaite

Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing...

Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. ,content_no_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. {image 11} {image 12} {image 14} {image 15} {image 17 scale=100} {image 2} {image 16} ,content_partial_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. 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28},name:color.jpg,hash:77eec34f1c9348b7fcda0c5ac29c3796491a93eeb7cff0890ca56c451233d111,width:2511,height:2548,sort:0,date_added:1549803900}],backdrop:null},{id:6846615,site_id:365487,project_url:Info,direct_link:https://mortajonynaite.com/Info,type:page,title:Info,title_no_html:Info,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories,...,content: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwe

Whispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_no_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_partial_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,thumb:,thumb_meta:null,thumb_is_visible:false,sort:9,index:0,set_id:0,page_options:{using_local_css:false,local_css:[local-style=6722923] .container_width { } [local-style=6722923] body { background-color: initial /*!variable_defaults*/; } [local-style=6722923] .backdrop { } [local-style=6722923] .page { } [local-style=6722923] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722923] .content_padding { } [data-predefined-style= rue] [local-style=6722923] bodycopy { } [data-predefined-style= rue] [local-style=6722923] bodycopy a { } [data-predefined-style= rue] [local-style=6722923] h1 { } [data-predefined-style= rue] [local-style=6722923] h1 a { } [data-predefined-style= rue] [local-style=6722923] h2 { } [data-predefined-style= rue] [local-style=6722923] h2 a { } [data-predefined-style= rue] [local-style=6722923] small { } [data-predefined-style= rue] [local-style=6722923] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:top,overlay:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null},{id:6722660,site_id:365487,project_url:Running-on-Cargo,direct_link:https://mortajonynaite.com/Running-on-Cargo,type:page,title:Running on Cargo,title_no_html:Running on Cargo,tags:,display:false,pin:true,pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true},in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Running on Cargo,content:Running on Cargo,content_no_html:Running on Cargo,content_partial_html:Running on Cargo,thumb:,thumb_meta:null,thumb_is_visible:false,sort:10,index:0,set_id:0,page_options:{using_local_css:true,local_css:[local-style=6722660] .container_width { } [local-style=6722660] body { } [local-style=6722660] .backdrop { } [local-style=6722660] .page { } [local-style=6722660] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722660] .content_padding { padding-top: 10rem /*!main_margin*/; padding-bottom: 10rem /*!main_margin*/; padding-left: 10rem /*!main_margin*/; padding-right: 10rem /*!main_margin*/; } [data-predefined-style= rue] [local-style=6722660] bodycopy { } [data-predefined-style= rue] [local-style=6722660] bodycopy a { color: rgba(0, 0, 0, 0.25); border-bottom: 0; } [data-predefined-style= rue] [local-style=6722660] h1 { } [data-predefined-style= rue] [local-style=6722660] h1 a { } [data-predefined-style= rue] [local-style=6722660] h2 { } [data-predefined-style= rue] [local-style=6722660] h2 a { } [data-predefined-style= rue] [local-style=6722660] small { } [data-predefined-style= rue] [local-style=6722660] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,main_margin:10,advanced_padding_enabled:false,main_margin_top:10,main_margin_right:10,main_margin_bottom:10,main_margin_left:10,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null}]}[{id:6742255,site_id:365487,project_url:La-Modella,direct_link:https://mortajonynaite.com/La-Modella,type:page,title:La Modella,title_no_html:La Modella,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,thumb:34162939,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34162939,project_id:6723692,image_ref:{image 1},name:GHOST.jpg,hash:a1c970cc935afeddcd909a7cbf382effbe3a394c18e0d4f4580f7b903cea7897,width:6000,height:4000,sort:0,date_added:1548868961},stored:{ratio:66.666666666667,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:3,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6723692] .container_width { } [local-style=6723692] body { } [local-style=6723692] .backdrop { } [local-style=6723692] .page { } [local-style=6723692] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6723692] .content_padding { } [data-predefined-style= rue] [local-style=6723692] bodycopy { } [data-predefined-style= rue] [local-style=6723692] bodycopy a { } [data-predefined-style= rue] 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19},name:nety.jpg,hash:350ff50073c929d68081a450e204b3cda934379431275d43a2a4843b5e26f44a,width:3024,height:4032,sort:0,date_added:1549040635}],backdrop:null},{id:6723505,site_id:365487,project_url:Whispers,direct_link:https://mortajonynaite.com/Whispers,type:page,title:Whispers,title_no_html:Whispers,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. ,content_no_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. {image 11} {image 12} {image 14} {image 15} {image 17 scale=100} {image 2} {image 16} ,content_partial_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. 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28},name:color.jpg,hash:77eec34f1c9348b7fcda0c5ac29c3796491a93eeb7cff0890ca56c451233d111,width:2511,height:2548,sort:0,date_added:1549803900}],backdrop:null},{id:6846615,site_id:365487,project_url:Info,direct_link:https://mortajonynaite.com/Info,type:page,title:Info,title_no_html:Info,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories,...,content: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,thumb:34835383,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34835383,project_id:6846615,image_ref:{image 1},name:Screen-Shot-2018-05-29-at-14.04.40.png,hash:7831cc4694d466d176991610f9815870d221b4caf08448b20d73c6c3becc3c69,width:1970,height:1442,sort:0,date_added:1549296764},stored:{ratio:73.197969543147,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:8,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6846615] .container_width { } [local-style=6846615] body { background-color: initial /*!variable_defaults*/; } [local-style=6846615] .backdrop { } [local-style=6846615] .page { } [local-style=6846615] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6846615] .content_padding { } [data-predefined-style= rue] [local-style=6846615] bodycopy { } [data-predefined-style= rue] [local-style=6846615] bodycopy a { } [data-predefined-style= rue] [local-style=6846615] h1 { } [data-predefined-style= rue] [local-style=6846615] h1 a { } [data-predefined-style= rue] [local-style=6846615] h2 { } [data-predefined-style= rue] [local-style=6846615] h2 a { } [data-predefined-style= rue] [local-style=6846615] small { } [data-predefined-style= rue] [local-style=6846615] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:}},set_open:false,images:[{id:34835383,project_id:6846615,image_ref:{image 1},name:Screen-Shot-2018-05-29-at-14.04.40.png,hash:7831cc4694d466d176991610f9815870d221b4caf08448b20d73c6c3becc3c69,width:1970,height:1442,sort:0,date_added:1549296764}],backdrop:null}]{page_id:6798362}{id:1820917,name:Columns,path:columns,mode_id:2,site_id:365487,page_id:null,iterator:1,is_active:true,data:{column_size:10,columns:3,crop:false,filter_set:,filter_tags:,filter_type:all,meta_data:{},mobile_data:{columns:2,column_size:11,thumbnails_padding:1,separate_mobile_view:false},padding:1,responsive:true,random_limit:999,show_excerpt:false,show_tags:true,show_thumbs:false,thumb_crop:1x1,thumbnails_padding:2,thumbnails_width:100,show_title:true,responsive_columns:2,responsive_thumbnails_padding:1}}[{name:Grid,path:grid,sort:0,mode_id:1},{name:Columns,path:columns,sort:1,mode_id:2},{name:Justify,path:justify,sort:2,mode_id:3},{name:Freeform,path:freeform,sort:3,mode_id:5},{name:Montessori,path:montessori,sort:4,mode_id:4}][] {{#if this.is_set}} {{#each pages}} {{#if this.is_set}} {{>page_master}} {{else}} {{>page}} {{/if}} {{/each}} {{else}} {{>page}} {{/if}}{{#if pin}} {{!-- Do not render pins in this view --}} {{else}} {{print content}} {{{ page_options.svg_overlay }}} {{{ page_options.local_css }}} {{#if_all backdrop backdrop_enabled}} [script type=text/json data-set=backdrop_data>{{{stringify backdrop}}}[/script> {{/if_all}} {{/if}}{{#each content}} {{#if pin}}{{!-- Do not render pins in this view --}} {{else}} {{#if this.is_set}} {{>page_master}} {{else}} {{>page_master}} {{/if}} {{/if}} {{/each}} Homepage {{#each site_menu_tree.pages}} {{>sitemenu_item}} {{/each}} × {{#if is_set}} {{#if in_nav}} {{#if_equal set_id 0}} {{#if has_children}} {{#if_equal previous_type page}} {{/if_equal}} {{/if}} {{/if_equal}} {{#if in_nav}} {{title}} {{/if}} {{/if}} {{#each pages}} {{>sitemenu_item}} {{/each}} {{#if in_nav}} {{/if}} {{else}} {{#if in_nav}} {{title}} {{/if}} {{/if}} {{#if_option title_in_project}} {{#if show_title}} {{{title}}} {{/if}} {{/if_option}} {{print content}} {{{ page_options.svg_overlay }}} {{{ page_options.local_css }}} {{#if_all backdrop backdrop_enabled}} [script type=text/json data-set=backdrop_data>{{{stringify backdrop}}}[/script> {{/if_all}} {{#each pinned}} {{#if pin}} {{#if_equal pin_options.position 'top'}} {{>pin}} {{/if_equal}} {{/if}} {{/each}}{{#each pinned}} {{#if pin}} {{#if_equal pin_options.position 'bottom'}} {{>pin}} {{/if_equal}} {{/if}} {{/each}} {{>thumbnail_subview}} require([/_jsapps/backdrop/main.bootstrap.js]);

Morta Jonynaite

Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book...

Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. ,content_no_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. It can stimulate our brain system and make us feel concerned or unsatisfied. {image 11} {image 12} {image 14} {image 15} {image 17 scale=100} {image 2} {image 16} ,content_partial_html:Never Omit Side Effect Rhinoplasty, nosebleeds, Virginia Woolf, Romans, Greeks, Nicole Kidman, mucus, cocaine and olfactory sensation come together in the book about nose. The shape, the c s inside and outside affect and direct our sensations. Nose is an open entrance to our body. 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I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,thumb:34555124,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34555124,project_id:6742255,image_ref:{image 1},name:Screen-Shot-2018-05-29-at-14.03.14.png,hash:37fbf29695929514418e4792a8e773bd58194075e218edf51ed9690e7631e0af,width:1576,height:1416,sort:0,date_added:1549293411},stored:{ratio:89.847715736041,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:2,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6742255] .container_width { } [local-style=6742255] body { } [local-style=6742255] .backdrop { } [local-style=6742255] .page { } [local-style=6742255] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6742255] .content_padding { } [data-predefined-style= rue] [local-style=6742255] bodycopy { } [data-predefined-style= rue] [local-style=6742255] bodycopy a { } [data-predefined-style= rue] 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,thumb:34161956,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34161956,project_id:6723505,image_ref:{image 1},name:bone.jpg,hash:465aca212eea01f3579d6842ac5c947ef4a99df601da441f372021c90d8bb196,width:3024,height:4032,sort:0,date_added:1548868379},stored:{ratio:133.33333333333,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:4,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6723505] .container_width { } [local-style=6723505] body { background-color: initial /*!variable_defaults*/; 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,thumb:34566675,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:34566675,project_id:6798362,image_ref:{image 1},name:1.jpg,hash:f647056f6547bb253ba3c0e5f6d0c00bce2a70998f5f6dbacab24b6159e39fb5,width:5878,height:3919,sort:0,date_added:1549300155},stored:{ratio:66.672337529772,crop_ratio:1x1},cropManuallySet:false}},thumb_is_visible:true,sort:5,index:0,set_id:6723684,page_options:{using_local_css:false,local_css:[local-style=6798362] .container_width { } [local-style=6798362] body { } [local-style=6798362] .backdrop { } [local-style=6798362] .page { } [local-style=6798362] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6798362] .content_padding { } [data-predefined-style= rue] [local-style=6798362] bodycopy { } [data-predefined-style= rue] [local-style=6798362] bodycopy a { } 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28},name:color.jpg,hash:77eec34f1c9348b7fcda0c5ac29c3796491a93eeb7cff0890ca56c451233d111,width:2511,height:2548,sort:0,date_added:1549803900}],backdrop:null},{id:6846615,site_id:365487,project_url:Info,direct_link:https://mortajonynaite.com/Info,type:page,title:Info,title_no_html:Info,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories,...,content: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  {image 1} Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_partial_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. 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Whispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_no_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,content_partial_html: Morta Jonynaite ProjectsWhispers Veil of Grace La Modella Chamber to Chamber Never Omit Side Effect Cabinet Info,thumb:,thumb_meta:null,thumb_is_visible:false,sort:9,index:0,set_id:0,page_options:{using_local_css:false,local_css:[local-style=6722923] .container_width { } [local-style=6722923] body { background-color: initial /*!variable_defaults*/; } [local-style=6722923] .backdrop { } [local-style=6722923] .page { } [local-style=6722923] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722923] .content_padding { } [data-predefined-style= rue] [local-style=6722923] bodycopy { } [data-predefined-style= rue] [local-style=6722923] bodycopy a { } [data-predefined-style= rue] [local-style=6722923] h1 { } [data-predefined-style= rue] [local-style=6722923] h1 a { } [data-predefined-style= rue] [local-style=6722923] h2 { } [data-predefined-style= rue] [local-style=6722923] h2 a { } [data-predefined-style= rue] [local-style=6722923] small { } [data-predefined-style= rue] [local-style=6722923] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,advanced_padding_enabled:false,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:top,overlay:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null},{id:6722660,site_id:365487,project_url:Running-on-Cargo,direct_link:https://mortajonynaite.com/Running-on-Cargo,type:page,title:Running on Cargo,title_no_html:Running on Cargo,tags:,display:false,pin:true,pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true},in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:Running on Cargo,content:Running on Cargo,content_no_html:Running on Cargo,content_partial_html:Running on Cargo,thumb:,thumb_meta:null,thumb_is_visible:false,sort:10,index:0,set_id:0,page_options:{using_local_css:true,local_css:[local-style=6722660] .container_width { } [local-style=6722660] body { } [local-style=6722660] .backdrop { } [local-style=6722660] .page { } [local-style=6722660] .page_background { background-color: initial /*!page_container_bgcolor*/; } [local-style=6722660] .content_padding { padding-top: 10rem /*!main_margin*/; padding-bottom: 10rem /*!main_margin*/; padding-left: 10rem /*!main_margin*/; padding-right: 10rem /*!main_margin*/; } [data-predefined-style= rue] [local-style=6722660] bodycopy { } [data-predefined-style= rue] [local-style=6722660] bodycopy a { color: rgba(0, 0, 0, 0.25); border-bottom: 0; } [data-predefined-style= rue] [local-style=6722660] h1 { } [data-predefined-style= rue] [local-style=6722660] h1 a { } [data-predefined-style= rue] [local-style=6722660] h2 { } [data-predefined-style= rue] [local-style=6722660] h2 a { } [data-predefined-style= rue] [local-style=6722660] small { } [data-predefined-style= rue] [local-style=6722660] small a { },local_layout_options:{split_layout:false,split_responsive:false,full_height:false,main_margin:10,advanced_padding_enabled:false,main_margin_top:10,main_margin_right:10,main_margin_bottom:10,main_margin_left:10,page_container_bgcolor:,show_local_thumbs:false,page_bgcolor:},pin_options:{position:bottom,overlay:true,fixed:true,exclude_mobile:true}},set_open:false,images:[],backdrop:null}]}[{id:6742255,site_id:365487,project_url:La-Modella,direct_link:https://mortajonynaite.com/La-Modella,type:page,title:La Modella,title_no_html:La Modella,tags:,display:false,pin:false,pin_options:null,in_nav:true,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I...,content:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. ,content_no_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. Every garment was made to support the body and the mind. {image 1} {image 2} {image 9} {image 15} {image 17} {image 6} {image 19} {image 20}{image 11}{image 21} {image 22},content_partial_html:La Modella (Heavy In My Head / Light In My Body) Costume for the age self - a dreamy from a Catholic school, fantasising about the fashion industry. I tried modelling - getting closer to the garments and their creators, but I always remained a stranger - neither suitable to be a hanger, nor a dresser. Creating the outfit was becoming the ultimate model and the designer myself. 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Can a garment perform with...,content: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. ,content_no_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. Adding value that is needed on our daily basis, elevating (or activating) the role of garment. {image 11 scale=65} {image 1} {image 15} {image 12} {image 14} {image 6} {image 7} {image 8 scale=95} {image 9 scale=81} ,content_partial_html: Veil of Grace Since ness is a process which is determined by (un)dressing, is there a possibility to capture that moment? Can a garment perform with corporality instead of merely hiding it? A piece that requires action and is active on its own. A knotted veil that has no end. Expanding the grace to something ephemeral that is supporting the body. 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I want to create narrative that...,content:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. A Dance for a Human Who Is Ready to Live Ocean With a Possibility to Drown Remaining Bone of Extinct Species Serpent Coiling Forwards We Ebb and Flow Across Time and Space No Water Is Sepparate from Any Other Water Plan for Past and Future The Curious Case of Benjamin on Temple Cave - Landscape of Soul Kim Offering a Drink with a Plastic Straw to Venus Matriarchy Is Not the Opposite of Patriarchy Light at the End of Exercise ,content_no_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. {image 7} A Dance for a Human Who Is Ready to Live {image 8} {image 17} Ocean With a Possibility to Drown {image 1 scale=68} Remaining Bone of Extinct Species {image 11 scale=68} Serpent Coiling Forwards {image 12 scale=75 marker-id=2} We Ebb and Flow Across Time and Space {image 14 scale=73} No Water Is Sepparate from Any Other Water {image 10 scale=100} Plan for Past and Future {image 2 scale=100} The Curious Case of Benjamin on {image 3 scale=65} Temple Cave - Landscape of Soul {image 13 scale=81} Kim Offering a Drink with a Plastic Straw to Venus {image 6 scale=72} Matriarchy Is Not the Opposite of Patriarchy {image 15 scale=23} Light at the End of Exercise ,content_partial_html:Whispers Through Mythology, water and b ities surrounding me I look for u2018whispersu2019 that could resonate with our world. I want to create narrative that supports our existence. By looking at the Culture of Goddess I see a primal model of life at peace, water contains particles of our history, we can never escape its floods and tides within ourselves. It is an ongoing project that is represented through different artefacts that I create for specific u2018whispersu2019. These objects come together in an installation that becomes an escape for a viewer who enters. It is utopian, yet ironical world,  relationship of time with eternal powers to be experienced in that place. 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They are fictitious characters, yet convincing...,content:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  Wim Val Ray ,content_no_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. In every room there are bits of fashion, photography, stills of films, nature and moments of daily life.  {image 20} {image 10} {image 17} {image 18} {image 16} {image 14} {image 15} {image 12} {image 9} {image 8} {image 6 scale=100} {image 5} {image 4} {image 3} {image 1} {image 2} Wim {image 23} {image 27}{image 25} {image 26} Val {image 33} {image 31}{image 32} {image 29}{image 28}{image 34} {image 30} Ray {image 42 scale=81}{image 48} {image 44} {image 46} {image 47} {image 49} {image 43} {image 45} ,content_partial_html:Chamber to Chamber Wim, Val and Ray are three androgynous personas with different habits, dreams and troubles. They are fictitious characters, yet convincing humans who came from chambers and continue growing on their own. Those chambers were built out of my archive. 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By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. Video, photography, textile, drawing and sculpture are the medias that I use to build my narrative.  Education2016u2013, Gerrit Rietveld Academy, Amsterdam (NL)BA TxT(text, theory, textile) Exhibitions May 2018 Green Screen, group exhibition, Rietveld Pavillion, Amsterdam (NL) December 2018 Behind the Royal Palace, group exhibition, Paleisstraat 107, Amsterdam (NL) ,content_no_html: b. 1995, Lithuania [email protected] In my practice I create escapes for people to break their daily rhythm and dwell in those stories, seeking for experience of being alive. By observing tendencies, different cultures and systems, I look for alternative ways to deal with the world around us, find some humour in the seriousness and horror. 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