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Flames at least two meters high, a smoke column thrice that height, and a so much radiating heat that it’s impossible to go close – a pyre truly is an impressive experience. However, that is not the reason why we decided to reconstruct an Urnfield culture cremation. An archaeological experiment provides the means to reconstruct reasonable scenarios under specified conditions, make observations, docu*ent the results and therefore (if everything goes as planned) offers possible explanations for existing data. archaeozoologists (Herbert Böhm,  Karina Grömer, Michael Konrad, Andrea Stadlmayer, Ingrid Schierer and me) dressed a naturally deceased and post mortem injured pig in multiple layers of cloth and bronze costume attire and put it, together with some pyre goods, on a pyre. Our goal was to get some answers to questions about how clothing influences a cremation, how and why some goods are or are not altered by the fire, and what information can be obtained from burnt bones. Personally, I conducted the experiment because I wanted to destroy some bronzes – replicas of Bronze Age dress and jewellery items, of course no antique artefacts! In Urnfield culture cremation burials, we often encounter burnt findings. While burnt ceramics are reasonably easy to recognise because they show discolorations, cracks and deformations, burnt bronzes are not as easy to identify. Depending on the particular alloy, the melting point of bronze varies around 950°C, a temperature which is not expected to be reached everywhere in a pyre. Therefore, some burnt bronze objects show considerable alterations and some may show none at all. and a knife) bronze objects on various locations on the pyre so that some might survive apparently unaltered, some deformed, some partially and some completely melted. The objective was to produce as many different results as possible, an*lyse them, and construct a comparative basis for the original bronze findings. Except for determining whether specific bronzes were burnt or not we might be


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About | Motherhood in prehistory

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This blog about motherhood in prehistory accompanies the research projects 'The social status of motherhood in Bronze Age Europe' and ‘The value of mothers to society: responses to motherhood and child rearing practices in prehistoric Europe'. It intends to provide insights into ongoing research, as well as collect random ideas, thoughts and links with some…

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Projects | Motherhood in prehistory

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This blog is based on two academic projects hosted by OREA at the Austrian Academy of Sciences. The pilot project 'The social status of motherhood in Bronze Age Europe' is funded by the Austrian Science Fund FWF from 2015 to 2017. This project utilises Bronze Age case studies to develop a methodology of linking women's social…

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Team | Motherhood in prehistory

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This blog is currently run by Katharina Rebay-Salisbury, PI of the projects 'The social status of motherhood in Bronze Age Europe' and 'The value of mothers to society: responses to motherhood and child rearing practices in prehistoric Europe'.  Katharina Rebay-Salisbury At present, Katharina works at the Institute for Oriental and European Archaeology of the Austrian…

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Katharina Rebay-Salisbury

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Klimt | Motherhood in prehistory

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I love Klimt. I have chosen Gustav Klimt's 'Three ages of woman' as a project vignette. I find it is a very powerful image expressing both the beauty and horror of motherhood. It was painted in 1905 and bought by the Galleria Nazionale d'Arte Moderna in Rome in 1911, where it is on display to…

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Links | Motherhood in prehistory

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Links to other interesting project websites and blogs about archaeology and motherhood will be posted here. This is a rather random collection based on my interests and contacts. Across Borders: settlement patterns in Egypt and Nubia in the 2nd Millennium BC Archaeodeath Archaeological Networks Bean Beginning of Beaker Bones do not lie Contagions: health and…

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