Moussemagazine.it Website Review

the (ir)reversibility of the things existing all around us: teresa cos’s “measure of disorder” at argos, brussels. amar kanwar “such a morning” at marian goodman gallery, new york. “geographies of imagination” at savvy contemporary: on processes and technologies of “dis-othering”. the social lives of everyday objects: jessica vaughn jessica vaughn investigates the social lives of everyday objects and materials: how they speak beside and beyond themselves; the ease with which they are overlooked because of their concrete functions; their value systems; their interactions. in conversation with eliel jones, the artist discusses processes of representation, reproduction as fabrication, the materiality of labor, and how all these inform her latest show, exit strategy at emalin, london. the randomness of all these things is actually really precise: sarah sze immersing the spectator in site-specific installations that she herself compares to “studio visits,” both intimate and in flux, us artist sarah sze combines intricate systems of objects and images across multiple mediums, from sculpture to painting, drawing, printmaking, and video. on the occasion of her first solo show in an italian gallery, the artist talks of arranged randomness; balancing craftsmanship and technology; and how rome and rocks can narrate the experience of time. exactness: leslie hewitt walking through the rooms of the first parisian exhibition of the american artist leslie hewitt, held at galerie perrotin last september, there was a sensation that was difficult to define except with the term “exactness.” it was less about how the new riffs on real time (a series started in 2002), abstract chromogenic prints and sculptures resting on the walls or lying on the floor, showed confidence in where they were exposed, and more that the arrangement, in its entirety, seemed to trigger a subliminal and cu*ulative “effect”—almost neurologically—in the viewer. here hewitt