Offscreen.com receives about 75285 visitors in one month. That could possibly earn $376.43 each month or $12.55 each day. Server of the website is located in Canada. Offscreen.com main page was reached and loaded in 0.85 seconds. This is a good result. Try the services listed at the bottom of the page to search for available improvements.
Traffic and Value
| Is offscreen.com legit? | |
| Website Value | $6776 |
| Alexa Rank | 384362 |
| Monthly Visits | 75285 |
| Daily Visits | 2510 |
| Monthly Earnings | $376.43 |
| Daily Earnings | $12.55 |
Offscreen.com Server Location
Country: Canada
Metropolitan Area: Montreal
Postal Reference Code: H3E
Latitude: 45.4594
Longitude: -73.5501
Summarized Content
Offscreen Main Page Content
| HTML Tag | Content | Informative? |
|---|---|---|
| Title: | Could be improved | |
| Description: | Offscreen is an online film journal that publishes essays, reviews, interviews and festival reports monthly. Offscreen is the longest running monthly online film journal, active since 1997 and takes writing about film |  |
| H1: | The Art of Screenwriting | Is it informative enough? |
| H2: | In this issue | Is it informative enough? |
| H3: | A Continuation of the History of American Screenwriting 2000-2018, Part I | |
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Internal Pages
| /issues/view/volume-22-issue-10: | |
|---|---|
| Title |
The Art of Screenwriting – Volume 22, Issue 10 – Offscreen |
| Description |
A special focus on screenwriting, with contributions by two writers who have specialized in screenplay ysis for Offscreen, Tom Stempel and Elaine Lennon. [censored]
|
| H1 |
Volume 22, Issue 10 / October 2018 |
| H2 |
The Art of Screenwriting |
| H3 |
A Continuation of the History of American Screenwriting 2000-2018, Part I |
| /view/a-continuation-of-the-history-of-american-screenwriting-2000-2018-pt1: | |
|---|---|
| Title |
A Continuation of the History of American Screenwriting 2000-2018, Part I – Offscreen |
| Description |
Tom Stempel revises his indispensable study of American Screenwriting, FrameWork: A History of Screenwriting in the American Film (1991, 2000), with the first of a three-part revision. Presented here on Offscreen. |
| H1 |
A Continuation of the History of American Screenwriting 2000-2018, Part I |
| H2 |
Little Films |
| /view/a-continuation-of-the-history-of-american-screenwriting-2000-2018-pt2: | |
|---|---|
| Title |
A Continuation of the History of American Screenwriting 2000-2018, Part II – Offscreen |
| Description |
Stempel marches on with his overview of American Screenwriting circa 2000-2018, concentrating on ‘big players’ Tarantino, Spielberg, Eastwood, Abrams, etc. |
| H1 |
A Continuation of the History of American Screenwriting 2000-2018, Part II |
| H2 |
Big Films |
| /view/a-continuation-of-the-history-of-american-screenwriting-2000-2018-part-3: | |
|---|---|
| Title |
A Continuation of the History of American Screenwriting 2000-2018, Part III – Offscreen |
| Description |
Stempel concludes his three-part screenwriting ysis of post-2000 Hollywood with an ysis of the BIG studio juggernauts Disney, Pixar, Lucasfilm, DC and Marvel. [censored]
|
| H1 |
A Continuation of the History of American Screenwriting 2000-2018, Part III |
| H2 |
The Return of the Studio System |
| /view/when-women-wrote-hollywood-essays-on-female-screenwriters-in-the-early-film: | |
|---|---|
| Title |
When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry – Offscreen |
| Description |
Elaine Lennon reviews a scholarly compendium of essays on silent and early sound era female screenwriters, When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry, edited by Rosanne Welch. |
| H1 |
When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry |
| H2 |
Also in Volume 22, Issue 10 |
| H3 |
A Continuation of the History of American Screenwriting 2000-2018, Part I |
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