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Country: United States
Metropolitan Area: New York
Postal Reference Code: 10013
Latitude: 40.7157
Longitude: -74




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No, this is exhibition is not about Nobel laureate Bob Dylan and his famous song “Blowin’ in the Wind.” This is about an environmental art project in Milan, the first in Italy specifically dedicated to the work of American artist Rachel Hayes, entitled Blowing in the Wind and opened on April 14th in the Missoni showroom in via Solferino. Curated by Mariuccia Casadio, the exhibition begins to immediately unfold in the external corridor upon entry and continues through to the internal spaces, juxtaposing the themes of light and air through two very different and opposing acceptations. Inside, three suspended macro structures, or cages, are covered in small, polychromatic modules of gelatine plastic activated by fans and electric projectors that move the compositions, generating and diffusing reflections and colorful plays of light and shade while inducing low-tech resonances—the sounds of mechanical contrivances—within the surrounding space. Outside, patchwork bands of multicolored semi­transparent fabrics compose a long, suspended canopy that welcomes the visitors and becomes a filter to the natural elements and the random effects related to the season, hour of day and atmospheric conditions and Blowing in the Wind: A modular, multicolored textile brought to life by the wind as though it were a parachute or fluttering flag; a gigantic patchwork that spectacularly plays on and amplifies the effects of light and air. A lightweight fabric, both transparent and translucent, that forms and transforms the landscape and architecture, bodies of water and expanses of sky. Large scale environmental art interacts with the natural elements, seasons and hours of the day. It incorporates the warmth of the home, artisan*l craft, blankets sewn by hand or fashioned from a loom into the vastness of coastal expanses and desert lands, public areas and exhibition spaces; refashioning the work into an original and reactive interweaving of vastness and A surge of emotions and chromatic variations, forms that come to life and open themselves up to a dialogue with the encircling world; the


Rachelbhayes Main Page Content

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Title: Rachel Could be improved
Description: Rachel Hayes, art, skywalk, bridge, fabric, installation, art, BravinLee, Sculpture Center, Sculpture Space, VCU, Kansas City Art Institute, Fiber, Rosslyn
H1: Blowing in the WindIs it informative enough?
H2: Rachel HayesIs it informative enough?
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Internal Pages

/about/:
Title

CV/BIO — Rachel Hayes

Description

Joan Mitchell Foundation Award, Roswell-in-Residence Program, Tulsa Artist Fellowship, Sculpture Space, Bravin Lee, Rachel Hayes art, Desert Art, Fiber Art, Fabric Sculpture, Textiles, Weaving, Fiber Artist, Landscape Art, New Mexico Art, Kansas City Art Institute, Sculpture Center, Virginia Commonwealth University, Charlotte Street Foundation Award, Miller Prize, Installation Art, Feminist Art

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Rachel Hayes

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Rachel Hayes is a nationally recognized artist who creates fabric structures that vibrantly explore painting processes, quilt making, architectural space, light, and shadow. Because of the large-scale nature of her installations and her interests in painting and the craft of sewing, Hayes’ work is a balance of power and fragility. A striking example of the balance Hayes achieves is Not Fade Away, a “sensuous and experiential” atrium-filling installation at the Taubman Museum of Art in Roanoke, VA. Like many of her colorful patchwork installations, this piece allowed Hayes to explore her “fascination with processes and materials based in craft and design to create an abstract composition that embraces the language of painting while interacting with space in a sculptural manner.”

/blowing-in-the-wind/:
Title

Blowing in the Wind — Rachel Hayes

Description

From Mari Davis: No, this is exhibition is not about Nobel laureate Bob Dylan and his famous song “Blowin’ in the Wind.” This is about an environmental art project in Milan, the first in Italy specifically dedicated to the work of American artist Rachel Hayes, entitled Blowing in the Wind and opened on April 14th in the Missoni showroom in via Solferino. Curated by Mariuccia Casadio, the exhibition begins to immediately unfold in the external corridor upon entry and continues through to the internal spaces, juxtaposing the themes of light and air through two very different and opposing acceptations. Inside, three suspended macro structures, or cages, are covered in small, polychromatic modules of gelatine plastic activated by fans and electric projectors that move the compositions, generating and diffusing reflections and colorful plays of light and shade while inducing low-tech resonances—the sounds of mechanical contrivances—within the surrounding space. Outside, patchwork bands of multicolored semi­transparent fabrics compose a long, suspended canopy that welcomes the visitors and becomes a filter to the natural elements and the random effects related to the season, hour of day and atmospheric conditions and interferences. Blowing in the Wind: A modular, multicolored textile brought to life by the wind as though it were a parachute or fluttering flag; a gigantic patchwork that spectacularly plays on and amplifies the effects of light and air. A lightweight fabric, both transparent and translucent, that forms and transforms the landscape and architecture, bodies of water and expanses of sky. Large scale environmental art interacts with the natural elements, seasons and hours of the day. It incorporates the warmth of the home, artis craft, blankets sewn by hand or fashioned from a loom into the vastness of coastal expanses and desert lands, public areas and exhibition spaces; refashioning the work into an original and reactive interweaving of vastness and intimacy, contemporaneity and memory. A surge of emotions and chromatic variations, forms that come to life and open themselves up to a dialogue with the encircling world; the environmental works in Blowing in the Wind summarize the experiences of Rachel Hayes, born in the vicinity of Kansas City and now a resident of Tulsa. Hayes found in the culture of textiles and the textures, transparencies and varied tones of silks or nylons, polyesters or acetates, the instruments for a construction that is soft, malleable, feminine, contemporary and atemporal; becoming the link that joins past and present, a bridge suspended between earth and sky, nature and culture, art and technique and free-flowing imagination. Extraordinarily empathic to the Missoni lexicon, the works of American artist Rachel Hayes—already embraced by Angela to contextualize the 2018 Summer runway collection in celebration of her 20th anniversary as creative director and subsequently featured in the latest campaign and a custom-designed indoor installation for the Missoni flagship store on Madison Avenue. In Collaboration with the inimitable Angelo Jelmini!

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Blowing in the Wind

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Rachel Hayes

/kindred-spirits/:
Title

Kindred Spirits — Rachel Hayes

Description

This newly commissioned work by Rachel Hayes continues a series of interventions in the Benenson Center, where art is inserted into areas not typically conceived of as exhibition space around the grounds of Art Omi . An alum of Art Omi: Artists, Rachel Hayes has gained recognition for her architectural textile installations for settings including museums, institutions, and retail environments, including a recent collaboration with Missoni. Hayes' fabric structures vibrantly explore painting processes, quilt-making, architectural space, light, and shadow. Says Hayes: “This piece is based on my color memories of watching sunsets from the porch, and my studio while a resident at Omi. From dark blue to bright orange, slate grey to hot pink, spring yellow to tinges of green—all woven, patch-worked, overlapping, mixing together from dusk to dawn. During the day the colors will changed with the sun, and at night can emit a glow from within. I was happy to see the same title was used in a Hudson river painting, also based on an idealized memory from the past.”

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Kindred Spirits

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Rachel Hayes

/karl-stirner-arts-trail/:
Title

Site Lines — Rachel Hayes

Description

Site Lines 2018 15 installations along the Karl Stirner Arts Trail Sculptor Rachel Hayes fabricated Site Lines in 2018. Her colorful compositions of construction mesh and nylon flag fabric, punctuate the landscape of the arts trail for more than 1.5 miles. They are placed to highlight interesting points, and to long distances and keep the eyes searching while walking the trail. The individual components, which Rachel calls flutters are in various lengths and colors to create compositions and patterns throughout the trail. The sculpture will inhabit the trail for the better part of 2018 and 2019, and when the work is removed, the fabric will be re-purposed into bags for residents of Easton’s area shelters.  The objectives of this fabric sculpture are to bring attention to the Trail as a park welcoming all people, as well as to attend to those in need through the reuse of the art project materials, becoming a full circle project. From community art to community function! Hayes visited the trail in April 2018 upon the suggestion of Karen Bravin, member of KSAT Art Advisory Council. Ron Morris and Ken Jones of Mercantile Home (downtown Easton, on Northampton Street) introduced Hayes to enthusiastic artists and artisans who were eager to help realize this project. Thanks to this rare  and amazing collaboration, the work will live on in many different ways for years  to come.

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Site Lines

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Rachel Hayes

/new-stay-golden/:
Title

Stay Golden — Rachel Hayes

Description

Philbrook Museum of Art - Tulsa, Oklahoma Stay Golden, 2018 Acetate and various textiles Text by Curator, Sienna Brown: Rachel Hayes, a textile artist inspired by traditions of quilt making, sculpture, painting, and stained gl , creates installations that use light to transform space. In Stay Golden, a project she designed for the Philbrook Rotunda, Hayes stiches together several types of pliant materials—colored plastic theatrical gels, translucent fabric, and opaque reflective gold lamé—to create dynamic constructions that swoop though the Museum, activating their surroundings. Colorful dapples of light play across the floor, ceiling, and walls, giving the viewer a new awareness of place, time, and space. The warm color palette of this work evokes the opulence of Villa Philbrook as well the golden light of Oklahoma sunshine. Support for this project is provided by The Andy Warhol Foundation for the Visual Arts.    

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Stay Golden

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Rachel Hayes

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