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Website Value | $32 |
Alexa Rank | 10452068 |
Monthly Visits | 345 |
Daily Visits | 12 |
Monthly Earnings | $1.73 |
Daily Earnings | $0.06 |
Country: United States
Metropolitan Area: San Francisco
Postal Reference Code: 94110
Latitude: 37.7506
Longitude: -122.4121
HTML Tag | Content | Informative? |
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Title: | Cinema du | Could be improved |
Description: | Not set | Empty |
H1: | Cinema du Look | Is it informative enough? |
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/2016/08/23/genre-overview/: | |
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Title |
Genre Overview – Cinema du Look |
Description |
Cinema du Look was a French film movement from the 1980s into the 1990s. As implied by the movement’s name, the focus of cinema du look was the “look,” or the visual aesthetic of the films. Filmmakers focused in on the underbelly of French society as well as French pop culture, creating a distinct visual… |
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Cinema du Look |
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/author/rachelweaver98/: | |
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Title |
rachelweaver98 – Cinema du Look |
Description |
Read all of the posts by rachelweaver98 on Cinema du Look |
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Cinema du Look |
/2016/08/23/key-filmmakers/: | |
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Title |
Key Filmmakers – Cinema du Look |
Description |
The Big Three Jean-Jacques Beineix Diva (1981), Betty Blue (1986), Roselyne et les lions (1989) Luc Besson Subway (1985), The Big Blue (1988), La Femme Nikita (1990), Léon: The Professional (1994) Leos Carax Boy Meets (1984), Mauvais Sang (1986), The Lovers on the Bridge (1991) Sources: [censored]
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Cinema du Look |
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Jean-Jacques Beineix |
/2016/08/23/leon-the-professional-still/: | |
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Title |
“Léon: The Professional” Still – Cinema du Look |
Description |
This still exemplifies the thematic ideas of alienation, misery, and doomed love present in cinema du look. Mathilda is the epitome of an outcast; she is a with no family or friends and no place to go. She falls in love with Léon, but that relationship is doomed from the start. Mathilda holding a… [censored]
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Cinema du Look |
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/2016/08/23/boy-meets- [censorship] -still/: | |
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Title |
“Boy Meets ” Still – Cinema du Look [censored]
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Description |
This still is another example of the theme of isolation that is present throughout cinema du look. The interplay of light and shadow on the faces of the kissing couple imply that it does not matter who they are, but rather who the main character Alex is not. The couple is in the foreground, and… |
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Cinema du Look |
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