Soundstudiesblog.com Website Review

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Soundstudiesblog.com receives about 3945 visitors in one month. That could possibly earn $19.73 each month or $0.66 each day. Server of the website is located in the United States. Soundstudiesblog.com main page was reached and loaded in 1.29 seconds. This is a good result. Try the services listed at the bottom of the page to search for available improvements.

Traffic and Value

Is soundstudiesblog.com legit?
Website Value	$356
Alexa Rank	1189477
Monthly Visits	3945
Daily Visits	132
Monthly Earnings	$19.73
Daily Earnings	$0.66

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Soundstudiesblog.com Server Location

Country: United States
Metropolitan Area: San Francisco
Postal Reference Code: 94110
Latitude: 37.7506
Longitude: -122.4121

The United States is a good location for your server if your website will be receiving most or at least decent part of visitors from Northern America. If you are planning to target mostly other regions you should consider using CDN or changing your server location.

Summarized Content

“I AM THINKING OF YOUR VOICE”: GENDER, AUDIO COMPRESSION, AND A SONIC CYBERFEMINIST THEORY OF OPPRESSION. for an article I’m working on about audio compression. As I was working on the article, I wondered about the role of gender and race in the research on audio compression. Specifically, I was reminded of the central role Suzanne Vega’s “Tom’s Diner” played into research that led to the mp3. Karl-Heinz Brandenburg used the song to test the compression method he was developing for mp3s because it partner or caregiver? Is its so-called warmth dependent upon the extent to which Vega’s voice performs idealized white hetero femininity, a role from which patriarchy definitely expects warmth (intimacy, care work) but can’t be bothered to hear anything beyond In other words, I’m wondering about what ways our compression practices are shaped by white supremacist, patriarchal listening ears. Before anyone even runs an audio signal through a compressor, how do patriarchal gender systems already themselves act as a kind of epistemological and sensory compression that separates out essential from inessential signal, such that we let women’s warm, caring voices through while also demanding they discipline themselves into compressing their anger The literature does address the role of se*ism and ableism in the shaping of audio technologies, but this critique is most commonly framed in conventionally liberal terms that understand oppression as a matter of researcher bias that excludes and censors minority voices. For example, the literature addresses the way “cultural differences like gender, age, race, clas*, nationality, and language Maguire), or claims that “the principles of efficiency and universality central to the history of signal processing also worked Mills). Though such an*lyses are absolutely necessary components of sonic cyberfeminist practice, they are not sufficient. We also need to consider the ways frequencies get parsed into the structural positions that masculinity and femininity occupy in Western

Soundstudiesblog Main Page Content

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Title:	Sounding Out! \| pushing sound studies into the red since	Could be improved
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/sound-studies-blog/:
Title	About \| Sounding Out!
Description	Sounding Out! is a weekly online publication, a networked academic archive, and a dynamic group platform bringing together sound studies scholars, sound artists and professionals, and readers interested in the cultural politics of sound and listening. Every Monday, our writers offer well-researched, well-written, and accessible interventions in sound studies, directing the field’s energy toward the…
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/sound-studies-blog/mission/:
Title	About Us \| Sounding Out!
Description	Sounding Out! is a weekly online publication, a networked academic archive, and a dynamic group platform bringing together sound studies scholars, sound artists and professionals, and readers interested in the cultural politics of sound and listening. Every Monday, our writers offer well-researched, well-written, and accessible interventions in sound studies, directing the field’s energy toward the…
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/editorial-statemen/:
Title	Editorial Statement \| Sounding Out!
Description	Every post that you read on Sounding Out! goes through a rigorous editorial process that combines the aggressive prose editing of commercial print media with the careful fact checking and incisive content ysis of traditional academic publishing. That’s why our posts are able to sound so good and blow your mind all at the same… [censored]
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/so-media/:
Title	SO! Media \| Sounding Out!
Description	Want to know who's talking about us? reblogging us? teaching us? referencing us? citing us? Read on! --- If you have seen Sounding Out! in print, on the internet, or on a syllabus and you don't see it listed here, please contact Jennifer Stoever-Ackerman at [email protected] 2015 An extended version of Roshanek Kheshti's Rallying Cries as…
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Title	Subscribe to SO! \| Sounding Out!
Description	Sounding Out! is an edited weekly academic sound studies blog that hosts sound-related research and commentary from academics, artists, and a variety of sound professionals.. .recordists, radio personalities, musicians, and sound designers. We also produce unique audio content on a quarterly basis through our podcast series. We welcome--and write for--both experts and those new to…
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