Thetype.com Website Review

GERARD UNGER (1942–2018): The Dutch font designer Gerard Unger died at the age of 76 on the font designer day. Inger is a peer of Matthew Carter and Erik Spiekermann, also known as the Dutch designer Fred Smeijers. After Jan van Krimpen and Bram de Does, the cultural ambas*ador of Dutch typography designed this year on September 18 and 19, the World Wide Web Consortium (W3C) at Keio University in Tokyo, Japan. A digital publishing workshop (APL) was held. This opportunity was held for a symposium. W3C Chinese Standards participant Bobby JLREQ was officially published, just like Japanese standardization expert Mr. Kobayashi Ryusheng in his book EPUB Wars. As mentioned above, there is no resounding and embarras*ing in Japan. But this is the first language typesetting docu*ent published by WG), which is actually an important step stone. On the one hand, it serves as a reference docu*ent and promotes the majority of Chinese and East As*an language typesetting. Related CSS3 Maybe you remember TIB's TypeTime! Wending Font Design Salon and Multimedia Exhibition Tschichold or Paul Renner in Shanghai last fall. The aura of innovation of the early modernists has been overshadowed. This series of articles focuses on the artists and early designers of these transitional periods, and hopes that their ideas, works and encounters will be inspired by later generations. Bremen, Germany (Bremer) Presse) The books printed during the operation of 1911–1939, exquisitely formatted, are still sought after by many collectors. At that time, the Chisholde generation was underage, modernist typography and graphic design. Still in the midst of it, the work of the Bremen print shop is the industry benchmark for German book design, and its main operator, Willy Vigand (Willy Day, Japanese-Chinese-Korean Font Lecture and Seminar: East As*an Chinese Fonts Now and the future was held at the Tokyo Printing Museum. Type is Beautiful was fortunate to participate in the co-organizer, member Eric participated in the planning as a member of the organizing committee, and provided Chinese translation for the whole meeting. The audience of the guests was huge, from Japan, China and Korea. The forefront of cultural studies, sharing the latest research on East As*an writing, especially Chinese character design Fruit and practice. TIB follows below briefly recall this font academic event of it.