Tomwiscombe.com Website Review

Tom Wiscombe Architecture

Founded and led by Tom Wiscombe, AIA, Tom Wiscombe Architecture is an internationally renowned design studio in Los Angeles.

BLOCKCHAINS CITY SPARKS, Nevada / 2018 In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal ,content_no_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 {image 78} {image 79} {image 88} {image 81} {image 82} {image 83} {image 84} {image 85} {image 86} {image 87} In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal {image 78}{image 79}{image 81} ,content_partial_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. 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88},name:BLOCKCHAINS-3-ESPORTS.jpg,hash:9f6c47ce929406577bf58caf39d83469c2120a0a67549ba3ed8ccb7d46721441,width:2500,height:1730,sort:0,date_added:1541528435},{id:27913529,project_id:5527660,image_ref:{image 89},name:BLOCKCHAINS-6.jpg,hash:37e45bae75d7434ba53b1976dafdea267d09feb81dcf0b36064fea43400067ed,width:2500,height:1730,sort:0,date_added:1541548508},{id:27913535,project_id:5527660,image_ref:{image 90},name:BLOCKCHAINS-6.jpg,hash:82733bb6adb05f4f8a4238ea2bf6d41590a84572a6b697e205fd626cd708ed45,width:2500,height:1730,sort:0,date_added:1541548519}],backdrop:null},{id:5013650,site_id:243933,project_url:POWDER-MOUNTAIN-HOUSE,direct_link:https://tomwiscombe.com/POWDER-MOUNTAIN-HOUSE,type:page,title:POWDER MOUNTAIN HOUSE,title_no_html:POWDER MOUNTAIN HOUSE,tags:Eden - Utah / 2017,display:true,pin:false,pin_options:null,in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:POWDER MOUNTAIN HOUSE Eden, Utah / 2017 Located on Summit's Powder Mountain, this house is part of a...,content: POWDER MOUNTAIN HOUSE Eden, Utah / 2017 Located on Summit's Powder Mountain, this house is part of a community planned to bring together entrepreneurs and thought-leaders from around the world. It is both a private residence and a venue for events that address contemporary issues. Our designu2019s small footprint and expansive upper level create spatial tension with the ground. A series of chunky, interconnected m es follows the natural slope of the mountain before lifting off of its contour to allow skiers to p beneath. The exterior skin is a patchwork of matte and glossy black panels that form a layer of secondary articulation distinct from the m ing they cover. The , virtually wall-less interior features a nested figure made of black steel that organizes the space of the house and acts as its primary structure. Like a Swiss Army knife, it is densely packed with functions such as stairs, bridges, fireplaces, bookshelves, and closets. Enclosed rooms are hidden above, below, and around this circulation object, which remains legible as an independent entity Echoing those of grand ski chalets and castles, the m ive fireplace is an insistent presence in the main living room, simultaneously familiar and strange. Client: Tom genbach + Sean LeffersPM: Charlie PattonArchitect: Tom Wiscombe ArchitectureStructural: Nous EngineeringCivil: TalismanM&P: Shamim EngineeringElectrical: Arbrari EngineeringSustainability Consulting: Argento / GrahamGeotech: IGESLandscape: LDGLighting: KGMRendering: Shimahara Illustration (Image 13, 14) ,content_no_html: POWDER MOUNTAIN HOUSE Eden, Utah / 2017 {image 17} {image 18} {image 19} {image 20} {image 21} {image 22} {image 23} {image 24} {image 44} {image 39} {image 28} {image 30} {image 31} {image 43} {image 33} {image 42} {image 40} {image 36} {image 37} {image 38} {image 45} {image 46} Located on Summit's Powder Mountain, this house is part of a community planned to bring together entrepreneurs and thought-leaders from around the world. It is both a private residence and a venue for events that address contemporary issues. Our designu2019s small footprint and expansive upper level create spatial tension with the ground. A series of chunky, interconnected m es follows the natural slope of the mountain before lifting off of its contour to allow skiers to p beneath. The exterior skin is a patchwork of matte and glossy black panels that form a layer of secondary articulation distinct from the m ing they cover. The , virtually wall-less interior features a nested figure made of black steel that organizes the space of the house and acts as its primary structure. Like a Swiss Army knife, it is densely packed with functions such as stairs, bridges, fireplaces, bookshelves, and closets. Enclosed rooms are hidden above, below, and around this circulation object, which remains legible as an independent entity Echoing those of grand ski chalets and castles, the m ive fireplace is an insistent presence in the main living room, simultaneously familiar and strange. Client: Tom genbach + Sean LeffersPM: Charlie PattonArchitect: Tom Wiscombe ArchitectureStructural: Nous EngineeringCivil: TalismanM&P: Shamim EngineeringElectrical: Arbrari EngineeringSustainability Consulting: Argento / GrahamGeotech: IGESLandscape: LDGLighting: KGMRendering: Shimahara Illustration (Image 13, 14) {image 43}{image 40} ,content_partial_html: POWDER MOUNTAIN HOUSE Eden, Utah / 2017 Located on Summit's Powder Mountain, this house is part of a community planned to bring together entrepreneurs and thought-leaders from around the world. It is both a private residence and a venue for events that address contemporary issues. Our designu2019s small footprint and expansive upper level create spatial tension with the ground. A series of chunky, interconnected m es follows the natural slope of the mountain before lifting off of its contour to allow skiers to p beneath. The exterior skin is a patchwork of matte and glossy black panels that form a layer of secondary articulation distinct from the m ing they cover. The , virtually wall-less interior features a nested figure made of black steel that organizes the space of the house and acts as its primary structure. Like a Swiss Army knife, it is densely packed with functions such as stairs, bridges, fireplaces, bookshelves, and closets. Enclosed rooms are hidden above, below, and around this circulation object, which remains legible as an independent entity Echoing those of grand ski chalets and castles, the m ive fireplace is an insistent presence in the main living room, simultaneously familiar and strange. Client: Tom genbach + Sean LeffersPM: Charlie PattonArchitect: Tom Wiscombe ArchitectureStructural: Nous EngineeringCivil: TalismanM&P: Shamim EngineeringElectrical: Arbrari EngineeringSustainability Consulting: Argento / GrahamGeotech: IGESLandscape: LDGLighting: KGMRendering: Shimahara Illustration (Image 13, 14) ,thumb:25275507,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25275507,project_id:5013650,image_ref:{image 17},name:1.jpg,hash:164473d34d78423aac4abaf076e7cd1563c699564fbc4381283a4ff051e441e3,width:3000,height:2076,sort:0,date_added:1538429402},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},thumb_is_visible:true,sort:7,index:2,set_id:4346879,page_options:{using_local_css:true,local_css:[local-style=5013650] .container_width { } [local-style=5013650] body { background-color: initial /*!variable_defaults*/; } [local-style=5013650] .backdrop { } [local-style=5013650] .page { } [local-style=5013650] .page_background { 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46},name:pmh_whitemodel2.jpg,hash:aaef76faf34966205002f2e41400b7f6e4d8f7e7be285c401cc3252a34709082,width:2500,height:1730,sort:0,date_added:1540141367}],backdrop:null},{id:5024773,site_id:243933,project_url:NATIONAL-MUSEUM-OF-WORLD-WRITING,direct_link:https://tomwiscombe.com/NATIONAL-MUSEUM-OF-WORLD-WRITING,type:page,title:NATIONAL MUSEUM OF WORLD WRITING,title_no_html:NATIONAL MUSEUM OF WORLD WRITING,tags:Incheon - South Korea, 2017,display:true,pin:false,pin_options:null,in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 Between City and Nature Located...,content: NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 Between City and Nature Located along Songdo Park, the National Museum of World Writing intensifies the hard boundary between city and nature with fast transitions between flat, continuous form and high, discrete urban entities.  The primary m of the building is a low, bent box that aligns with both city and park and creates a new ground on its rooftop, as if a piece of the park were dug up and lifted. This form is intersected with strange figures along its perimeter that, while signifying nothing specifically, resonate with both ancient and potential architectural vocabularies. The composite entity is cut underneath like a diamond, further removing it from the land, but also further fusing all the parts together visually. Joints are left visible between the figures and the box, giving the contradictory impression that the project could be dis embled at any minute, like a toy. Underneath the building m ing is a glazed hall that opens up to the Park, drawing people inside. Both this hall and the rooftop garden become spaces for communication, cultural activities, and relaxation. A New Form of Museum The figures penetrate into the interior of their container, although this condition can only be glimpsed from the exterior. A vast internal world with two distinct types of exhibition space is created within. The Special Exhibitions space is m ive and open, allowing for changing material content, multimedia performance, and flexible curation. It features a 10-meter, clear-height space and circulation pathways embedded in its walls. Permanent Exhibition spaces are contained within individual figures that float above the Special Exhibitions space below, as if observing. These spaces are intimate and specifically configured in plan, but erupt vertically to feature important objects from the Museumu2019s collection. This allows the Permanent collection to be discovered in a structured, but surprising way. Circulating between the loose horizontal space of the stage and the highly contained, tall spaces of the figures creates a sense of difference and engagement for visitors. Patchy Tectonics The skin of the building is patchy and etched. Stretches of materials and irregular seam patterns drift across the box and the figures, binding them together while also creating another layer of ambiguous architectural representation. Our design avoids the mistake of confusing content and containeru2014in this case writing and architectureu2014by leveraging the mysterious and lingering effect of encountering something that resists immediate legibility. The tectonic syntax at work here subtly links to engraving, embossing, and pictographic drawing across history. Patchiness is used to create two types of building envelope: an opaque and insulated aluminum panel system, and a double skin of aluminum louvres in front of glazed curtainwall. The shaded apertures allow for views to the outside and natural daylighting throughout the building without degrading the m ive effect of the project. Owner: Municipal Government of IncheonArchitect: Tom Wiscombe ArchitectureCost Estimating: MGAC ,content_no_html: NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 {image 1} {image 2} {image 5} {image 6} {image 7} {image 8} {image 9} {image 10} {image 11} {image 12} {image 14} {image 15} {image 16} {image 17} {image 18} {image 20} {image 21} {image 22} {image 23} {image 24} {image 25} {image 26} {image 27} {image 28} {image 29} {image 30} {image 31} {image 40} {image 41} {image 32} {image 33} {image 34} {image 35} Between City and Nature Located along Songdo Park, the National Museum of World Writing intensifies the hard boundary between city and nature with fast transitions between flat, continuous form and high, discrete urban entities.  The primary m of the building is a low, bent box that aligns with both city and park and creates a new ground on its rooftop, as if a piece of the park were dug up and lifted. This form is intersected with strange figures along its perimeter that, while signifying nothing specifically, resonate with both ancient and potential architectural vocabularies. The composite entity is cut underneath like a diamond, further removing it from the land, but also further fusing all the parts together visually. Joints are left visible between the figures and the box, giving the contradictory impression that the project could be dis embled at any minute, like a toy. Underneath the building m ing is a glazed hall that opens up to the Park, drawing people inside. Both this hall and the rooftop garden become spaces for communication, cultural activities, and relaxation. A New Form of Museum The figures penetrate into the interior of their container, although this condition can only be glimpsed from the exterior. A vast internal world with two distinct types of exhibition space is created within. The Special Exhibitions space is m ive and open, allowing for changing material content, multimedia performance, and flexible curation. It features a 10-meter, clear-height space and circulation pathways embedded in its walls. Permanent Exhibition spaces are contained within individual figures that float above the Special Exhibitions space below, as if observing. These spaces are intimate and specifically configured in plan, but erupt vertically to feature important objects from the Museumu2019s collection. This allows the Permanent collection to be discovered in a structured, but surprising way. Circulating between the loose horizontal space of the stage and the highly contained, tall spaces of the figures creates a sense of difference and engagement for visitors. Patchy Tectonics The skin of the building is patchy and etched. Stretches of materials and irregular seam patterns drift across the box and the figures, binding them together while also creating another layer of ambiguous architectural representation. Our design avoids the mistake of confusing content and containeru2014in this case writing and architectureu2014by leveraging the mysterious and lingering effect of encountering something that resists immediate legibility. The tectonic syntax at work here subtly links to engraving, embossing, and pictographic drawing across history. Patchiness is used to create two types of building envelope: an opaque and insulated aluminum panel system, and a double skin of aluminum louvres in front of glazed curtainwall. The shaded apertures allow for views to the outside and natural daylighting throughout the building without degrading the m ive effect of the project. Owner: Municipal Government of IncheonArchitect: Tom Wiscombe ArchitectureCost Estimating: MGAC {image 37} {image 38} {image 39} ,content_partial_html: NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 Between City and Nature Located along Songdo Park, the National Museum of World Writing intensifies the hard boundary between city and nature with fast transitions between flat, continuous form and high, discrete urban entities.  The primary m of the building is a low, bent box that aligns with both city and park and creates a new ground on its rooftop, as if a piece of the park were dug up and lifted. This form is intersected with strange figures along its perimeter that, while signifying nothing specifically, resonate with both ancient and potential architectural vocabularies. The composite entity is cut underneath like a diamond, further removing it from the land, but also further fusing all the parts together visually. Joints are left visible between the figures and the box, giving the contradictory impression that the project could be dis embled at any minute, like a toy. Underneath the building m ing is a glazed hall that opens up to the Park, drawing people inside. Both this hall and the rooftop garden become spaces for communication, cultural activities, and relaxation. A New Form of Museum The figures penetrate into the interior of their container, although this condition can only be glimpsed from the exterior. A vast internal world with two distinct types of exhibition space is created within. The Special Exhibitions space is m ive and open, allowing for changing material content, multimedia performance, and flexible curation. It features a 10-meter, clear-height space and circulation pathways embedded in its walls. Permanent Exhibition spaces are contained within individual figures that float above the Special Exhibitions space below, as if observing. These spaces are intimate and specifically configured in plan, but erupt vertically to feature important objects from the Museumu2019s collection. This allows the Permanent collection to be discovered in a structured, but surprising way. Circulating between the loose horizontal space of the stage and the highly contained, tall spaces of the figures creates a sense of difference and engagement for visitors. Patchy Tectonics The skin of the building is patchy and etched. Stretches of materials and irregular seam patterns drift across the box and the figures, binding them together while also creating another layer of ambiguous architectural representation. Our design avoids the mistake of confusing content and containeru2014in this case writing and architectureu2014by leveraging the mysterious and lingering effect of encountering something that resists immediate legibility. The tectonic syntax at work here subtly links to engraving, embossing, and pictographic drawing across history. Patchiness is used to create two types of building envelope: an opaque and insulated aluminum panel system, and a double skin of aluminum louvres in front of glazed curtainwall. The shaded apertures allow for views to the outside and natural daylighting throughout the building without degrading the m ive effect of the project. 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In the early 20th century, the billboard emerged as a large sign or three-dimensional icon, often calling attention to immediate building functions or domestic products. With the mid-century explosion of car culture and the film industry, the billboard was transformed into something non-local, representing filmic worlds in wide-screen formats. Sunset Boulevard has played a distinct role in the evolution of the billboard, particularly in the 60u2019s and 70u2019s, with edgy content, protruding elements, and promotional appearances by music stars. Eventually, the two-dimensionality of the billboard moved towards three-dimensionality, producing a sign that was simultaneously an object. Sunset Spectacular builds on this legacy with an iconic object-billboard that features an unprecedented breadth of commercial, cultural, and interactive media content. Urban Archetype The Sunset Spectacular avoids the ubiquitous u201csign-on-a-sticku201d billboard typology in favor of something spatial and interactive. Like ancient bell-towers, clock-towers, and obelisks, the projectu2019s vertical orientation connects it to a urban archetype ociated with civic space and community engagement. Expressing the contemporary transition from centrally-controlled media empires to a greater diversity of marketing strategies and stakeholders, it speaks to a world where commercial and cultural content can be hybridized and media is no longer just a way of advertising, but a way of life. Art On its faceted outer petals, the Sunset Spectacular allows for a combination of commercial and cultural media. The project will feature site-specific art curated by cultural institutions like MOCA and the West Hollywood Arts and Cultural Affairs Commission with a goal of engaging the community with important art of our time. Multimedia art will be integrated in sustained blocks alongside commercial advertising, producing a serene, and sometimes surprising, experience that is woven into the everyday life of local residents and visitors. Made of perforated metal, the east and west-facing outer petals feature embedded high-resolution LED technology. The Inner World The interior space of the Sunset Spectacular engages the public imagination. It contains a nested sculptural object programmed with multi-media art and interactive media that is primarily intended to engage the pedestrian and can only be glimpsed briefly by p ing drivers. Pedestrians can interact with the interior object via smartphones apps that allow them to access information about featured artwork or to push digitally altered media content onto the sculptural objectu2019s surfaces. Public Space / Digital Space The Sunset Spectacular is linked to the City of West Hollywood through an inviting public square where pedestrians meet, relax, and play. When the square is used for cultural events, the Sunset Spectacular can serve as a live-feed backdrop. Drought-tolerant landscaping and festive lanterns connect the public square to the local environment and provide an integrated social experience. Ultimately, the significance of this project is to simultaneously exist in two realms: the local physical space of the Sunset and the global digital space of social media. Potentially the most u201cInstagrammableu201d billboard, this project will actively share the uniqueness and creativity of West Hollywood with the world. Client: City of West Hollywood Builder/ Operator: Orange Barrel Media Architect: Tom Wiscombe Architecture Museum Partner: MOCA Structural: Walter P MooreCost Estimating: MGACRendering: Kilograph (Image 1) ,content_no_html: SUNSET SPECTACULAR West Hollywood, California / 2016 {image 82} {image 84} {image 85} {image 86} {image 87} {image 88} {image 89} {image 106} {image 91} {image 92} {image 93} {image 94} {image 95} {image 110} {image 97} {image 98} {image 99} {image 100} {image 101} {image 102} {image 113} {image 112} {image 114} The history of the American billboard tracks the larger cultural and technological trajectory of media distribution and aesthetic sensibilities. In the early 20th century, the billboard emerged as a large sign or three-dimensional icon, often calling attention to immediate building functions or domestic products. With the mid-century explosion of car culture and the film industry, the billboard was transformed into something non-local, representing filmic worlds in wide-screen formats. Sunset Boulevard has played a distinct role in the evolution of the billboard, particularly in the 60u2019s and 70u2019s, with edgy content, protruding elements, and promotional appearances by music stars. Eventually, the two-dimensionality of the billboard moved towards three-dimensionality, producing a sign that was simultaneously an object. Sunset Spectacular builds on this legacy with an iconic object-billboard that features an unprecedented breadth of commercial, cultural, and interactive media content. Urban Archetype The Sunset Spectacular avoids the ubiquitous u201csign-on-a-sticku201d billboard typology in favor of something spatial and interactive. Like ancient bell-towers, clock-towers, and obelisks, the projectu2019s vertical orientation connects it to a urban archetype ociated with civic space and community engagement. Expressing the contemporary transition from centrally-controlled media empires to a greater diversity of marketing strategies and stakeholders, it speaks to a world where commercial and cultural content can be hybridized and media is no longer just a way of advertising, but a way of life. {image 80} Art On its faceted outer petals, the Sunset Spectacular allows for a combination of commercial and cultural media. The project will feature site-specific art curated by cultural institutions like MOCA and the West Hollywood Arts and Cultural Affairs Commission with a goal of engaging the community with important art of our time. Multimedia art will be integrated in sustained blocks alongside commercial advertising, producing a serene, and sometimes surprising, experience that is woven into the everyday life of local residents and visitors. Made of perforated metal, the east and west-facing outer petals feature embedded high-resolution LED technology. The Inner World The interior space of the Sunset Spectacular engages the public imagination. It contains a nested sculptural object programmed with multi-media art and interactive media that is primarily intended to engage the pedestrian and can only be glimpsed briefly by p ing drivers. Pedestrians can interact with the interior object via smartphones apps that allow them to access information about featured artwork or to push digitally altered media content onto the sculptural objectu2019s surfaces. {image 93} Public Space / Digital Space The Sunset Spectacular is linked to the City of West Hollywood through an inviting public square where pedestrians meet, relax, and play. When the square is used for cultural events, the Sunset Spectacular can serve as a live-feed backdrop. Drought-tolerant landscaping and festive lanterns connect the public square to the local environment and provide an integrated social experience. Ultimately, the significance of this project is to simultaneously exist in two realms: the local physical space of the Sunset and the global digital s

EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal ,content_no_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 {image 78} {image 79} {image 88} {image 81} {image 82} {image 83} {image 84} {image 85} {image 86} {image 87} In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal {image 78}{image 79}{image 81} ,content_partial_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal ,thumb:27838667,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:27838667,project_id:5527660,image_ref:{image 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house is part of a...,content: POWDER MOUNTAIN HOUSE Eden, Utah / 2017 Located on Summit's Powder Mountain, this house is part of a community planned to bring together entrepreneurs and thought-leaders from around the world. It is both a private residence and a venue for events that address contemporary issues. Our designu2019s small footprint and expansive upper level create spatial tension with the ground. A series of chunky, interconnected m es follows the natural slope of the mountain before lifting off of its contour to allow skiers to p beneath. The exterior skin is a patchwork of matte and glossy black panels that form a layer of secondary articulation distinct from the m ing they cover. The , virtually wall-less interior features a nested figure made of black steel that organizes the space of the house and acts as its primary structure. Like a Swiss Army knife, it is densely packed with functions such as stairs, bridges, fireplaces, bookshelves, and closets. Enclosed rooms are hidden above, below, and around this circulation object, which remains legible as an independent entity Echoing those of grand ski chalets and castles, the m ive fireplace is an insistent presence in the main living room, simultaneously familiar and strange. Client: Tom genbach + Sean LeffersPM: Charlie PattonArchitect: Tom Wiscombe ArchitectureStructural: Nous EngineeringCivil: TalismanM&P: Shamim EngineeringElectrical: Arbrari EngineeringSustainability Consulting: Argento / GrahamGeotech: IGESLandscape: LDGLighting: KGMRendering: Shimahara Illustration (Image 13, 14) ,content_no_html: POWDER MOUNTAIN HOUSE Eden, Utah / 2017 {image 17} {image 18} {image 19} {image 20} {image 21} {image 22} {image 23} {image 24} {image 44} {image 39} {image 28} {image 30} {image 31} {image 43} {image 33} {image 42} {image 40} {image 36} {image 37} {image 38} {image 45} {image 46} Located on Summit's Powder Mountain, this house is part of a community planned to bring together entrepreneurs and thought-leaders from around the world. It is both a private residence and a venue for events that address contemporary issues. Our designu2019s small footprint and expansive upper level create spatial tension with the ground. A series of chunky, interconnected m es follows the natural slope of the mountain before lifting off of its contour to allow skiers to p beneath. The exterior skin is a patchwork of matte and glossy black panels that form a layer of secondary articulation distinct from the m ing they cover. The , virtually wall-less interior features a nested figure made of black steel that organizes the space of the house and acts as its primary structure. Like a Swiss Army knife, it is densely packed with functions such as stairs, bridges, fireplaces, bookshelves, and closets. Enclosed rooms are hidden above, below, and around this circulation object, which remains legible as an independent entity Echoing those of grand ski chalets and castles, the m ive fireplace is an insistent presence in the main living room, simultaneously familiar and strange. Client: Tom genbach + Sean LeffersPM: Charlie PattonArchitect: Tom Wiscombe ArchitectureStructural: Nous EngineeringCivil: TalismanM&P: Shamim EngineeringElectrical: Arbrari EngineeringSustainability Consulting: Argento / GrahamGeotech: IGESLandscape: LDGLighting: KGMRendering: Shimahara Illustration (Image 13, 14) {image 43}{image 40} ,content_partial_html: POWDER MOUNTAIN HOUSE Eden, Utah / 2017 Located on Summit's Powder Mountain, this house is part of a community planned to bring together entrepreneurs and thought-leaders from around the world. It is both a private residence and a venue for events that address contemporary issues. Our designu2019s small footprint and expansive upper level create spatial tension with the ground. A series of chunky, interconnected m es follows the natural slope of the mountain before lifting off of its contour to allow skiers to p beneath. The exterior skin is a patchwork of matte and glossy black panels that form a layer of secondary articulation distinct from the m ing they cover. The , virtually wall-less interior features a nested figure made of black steel that organizes the space of the house and acts as its primary structure. Like a Swiss Army knife, it is densely packed with functions such as stairs, bridges, fireplaces, bookshelves, and closets. Enclosed rooms are hidden above, below, and around this circulation object, which remains legible as an independent entity Echoing those of grand ski chalets and castles, the m ive fireplace is an insistent presence in the main living room, simultaneously familiar and strange. Client: Tom genbach + Sean LeffersPM: Charlie PattonArchitect: Tom Wiscombe ArchitectureStructural: Nous EngineeringCivil: TalismanM&P: Shamim EngineeringElectrical: Arbrari EngineeringSustainability Consulting: Argento / GrahamGeotech: IGESLandscape: LDGLighting: KGMRendering: Shimahara Illustration (Image 13, 14) ,thumb:25275507,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25275507,project_id:5013650,image_ref:{image 17},name:1.jpg,hash:164473d34d78423aac4abaf076e7cd1563c699564fbc4381283a4ff051e441e3,width:3000,height:2076,sort:0,date_added:1538429402},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},thumb_is_visible:true,sort:7,index:2,set_id:4346879,page_options:{using_local_css:true,local_css:[local-style=5013650] .container_width { } [local-style=5013650] body { background-color: initial /*!variable_defaults*/; } [local-style=5013650] .backdrop { } [local-style=5013650] .page { } [local-style=5013650] .page_background { 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46},name:pmh_whitemodel2.jpg,hash:aaef76faf34966205002f2e41400b7f6e4d8f7e7be285c401cc3252a34709082,width:2500,height:1730,sort:0,date_added:1540141367}],backdrop:null},{id:5024773,site_id:243933,project_url:NATIONAL-MUSEUM-OF-WORLD-WRITING,direct_link:https://tomwiscombe.com/NATIONAL-MUSEUM-OF-WORLD-WRITING,type:page,title:NATIONAL MUSEUM OF WORLD WRITING,title_no_html:NATIONAL MUSEUM OF WORLD WRITING,tags:Incheon - South Korea, 2017,display:true,pin:false,pin_options:null,in_nav:false,is_homepage:false,backdrop_enabled:false,is_set:false,stack:false,excerpt:NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 Between City and Nature Located...,content: NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 Between City and Nature Located along Songdo Park, the National Museum of World Writing intensifies the hard boundary between city and nature with fast transitions between flat, continuous form and high, discrete urban entities.  The primary m of the building is a low, bent box that aligns with both city and park and creates a new ground on its rooftop, as if a piece of the park were dug up and lifted. This form is intersected with strange figures along its perimeter that, while signifying nothing specifically, resonate with both ancient and potential architectural vocabularies. The composite entity is cut underneath like a diamond, further removing it from the land, but also further fusing all the parts together visually. Joints are left visible between the figures and the box, giving the contradictory impression that the project could be dis embled at any minute, like a toy. Underneath the building m ing is a glazed hall that opens up to the Park, drawing people inside. Both this hall and the rooftop garden become spaces for communication, cultural activities, and relaxation. A New Form of Museum The figures penetrate into the interior of their container, although this condition can only be glimpsed from the exterior. A vast internal world with two distinct types of exhibition space is created within. The Special Exhibitions space is m ive and open, allowing for changing material content, multimedia performance, and flexible curation. It features a 10-meter, clear-height space and circulation pathways embedded in its walls. Permanent Exhibition spaces are contained within individual figures that float above the Special Exhibitions space below, as if observing. These spaces are intimate and specifically configured in plan, but erupt vertically to feature important objects from the Museumu2019s collection. This allows the Permanent collection to be discovered in a structured, but surprising way. Circulating between the loose horizontal space of the stage and the highly contained, tall spaces of the figures creates a sense of difference and engagement for visitors. Patchy Tectonics The skin of the building is patchy and etched. Stretches of materials and irregular seam patterns drift across the box and the figures, binding them together while also creating another layer of ambiguous architectural representation. Our design avoids the mistake of confusing content and containeru2014in this case writing and architectureu2014by leveraging the mysterious and lingering effect of encountering something that resists immediate legibility. The tectonic syntax at work here subtly links to engraving, embossing, and pictographic drawing across history. Patchiness is used to create two types of building envelope: an opaque and insulated aluminum panel system, and a double skin of aluminum louvres in front of glazed curtainwall. The shaded apertures allow for views to the outside and natural daylighting throughout the building without degrading the m ive effect of the project. Owner: Municipal Government of IncheonArchitect: Tom Wiscombe ArchitectureCost Estimating: MGAC ,content_no_html: NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 {image 1} {image 2} {image 5} {image 6} {image 7} {image 8} {image 9} {image 10} {image 11} {image 12} {image 14} {image 15} {image 16} {image 17} {image 18} {image 20} {image 21} {image 22} {image 23} {image 24} {image 25} {image 26} {image 27} {image 28} {image 29} {image 30} {image 31} {image 40} {image 41} {image 32} {image 33} {image 34} {image 35} Between City and Nature Located along Songdo Park, the National Museum of World Writing intensifies the hard boundary between city and nature with fast transitions between flat, continuous form and high, discrete urban entities.  The primary m of the building is a low, bent box that aligns with both city and park and creates a new ground on its rooftop, as if a piece of the park were dug up and lifted. This form is intersected with strange figures along its perimeter that, while signifying nothing specifically, resonate with both ancient and potential architectural vocabularies. The composite entity is cut underneath like a diamond, further removing it from the land, but also further fusing all the parts together visually. Joints are left visible between the figures and the box, giving the contradictory impression that the project could be dis embled at any minute, like a toy. Underneath the building m ing is a glazed hall that opens up to the Park, drawing people inside. Both this hall and the rooftop garden become spaces for communication, cultural activities, and relaxation. A New Form of Museum The figures penetrate into the interior of their container, although this condition can only be glimpsed from the exterior. A vast internal world with two distinct types of exhibition space is created within. The Special Exhibitions space is m ive and open, allowing for changing material content, multimedia performance, and flexible curation. It features a 10-meter, clear-height space and circulation pathways embedded in its walls. Permanent Exhibition spaces are contained within individual figures that float above the Special Exhibitions space below, as if observing. These spaces are intimate and specifically configured in plan, but erupt vertically to feature important objects from the Museumu2019s collection. This allows the Permanent collection to be discovered in a structured, but surprising way. Circulating between the loose horizontal space of the stage and the highly contained, tall spaces of the figures creates a sense of difference and engagement for visitors. Patchy Tectonics The skin of the building is patchy and etched. Stretches of materials and irregular seam patterns drift across the box and the figures, binding them together while also creating another layer of ambiguous architectural representation. Our design avoids the mistake of confusing content and containeru2014in this case writing and architectureu2014by leveraging the mysterious and lingering effect of encountering something that resists immediate legibility. The tectonic syntax at work here subtly links to engraving, embossing, and pictographic drawing across history. Patchiness is used to create two types of building envelope: an opaque and insulated aluminum panel system, and a double skin of aluminum louvres in front of glazed curtainwall. The shaded apertures allow for views to the outside and natural daylighting throughout the building without degrading the m ive effect of the project. Owner: Municipal Government of IncheonArchitect: Tom Wiscombe ArchitectureCost Estimating: MGAC {image 37} {image 38} {image 39} ,content_partial_html: NATIONAL MUSEUM OF WORLD WRITING Incheon, South Korea / 2017 Between City and Nature Located along Songdo Park, the National Museum of World Writing intensifies the hard boundary between city and nature with fast transitions between flat, continuous form and high, discrete urban entities.  The primary m of the building is a low, bent box that aligns with both city and park and creates a new ground on its rooftop, as if a piece of the park were dug up and lifted. This form is intersected with strange figures along its perimeter that, while signifying nothing specifically, resonate with both ancient and potential architectural vocabularies. The composite entity is cut underneath like a diamond, further removing it from the land, but also further fusing all the parts together visually. Joints are left visible between the figures and the box, giving the contradictory impression that the project could be dis embled at any minute, like a toy. Underneath the building m ing is a glazed hall that opens up to the Park, drawing people inside. Both this hall and the rooftop garden become spaces for communication, cultural activities, and relaxation. A New Form of Museum The figures penetrate into the interior of their container, although this condition can only be glimpsed from the exterior. A vast internal world with two distinct types of exhibition space is created within. The Special Exhibitions space is m ive and open, allowing for changing material content, multimedia performance, and flexible curation. It features a 10-meter, clear-height space and circulation pathways embedded in its walls. Permanent Exhibition spaces are contained within individual figures that float above the Special Exhibitions space below, as if observing. These spaces are intimate and specifically configured in plan, but erupt vertically to feature important objects from the Museumu2019s collection. This allows the Permanent collection to be discovered in a structured, but surprising way. Circulating between the loose horizontal space of the stage and the highly contained, tall spaces of the figures creates a sense of difference and engagement for visitors. Patchy Tectonics The skin of the building is patchy and etched. Stretches of materials and irregular seam patterns drift across the box and the figures, binding them together while also creating another layer of ambiguous architectural representation. Our design avoids the mistake of confusing content and containeru2014in this case writing and architectureu2014by leveraging the mysterious and lingering effect of encountering something that resists immediate legibility. The tectonic syntax at work here subtly links to engraving, embossing, and pictographic drawing across history. Patchiness is used to create two types of building envelope: an opaque and insulated aluminum panel system, and a double skin of aluminum louvres in front of glazed curtainwall. The shaded apertures allow for views to the outside and natural daylighting throughout the building without degrading the m ive effect of the project. 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41},name:koreamodel_2.jpg,hash:488fc69d2d355da4a1dadbe61ba2ac607b61015883d99a380c7966803fdd890d,width:2500,height:1730,sort:0,date_added:1540155988}],backdrop:null},{id:5025044,site_id:243933,project_url:SUNSET-SPECTACULAR,direct_link:https://tomwiscombe.com/SUNSET-SPECTACULAR,type:page,title:SUNSET SPECTACULAR,title_no_html:SUNSET SPECTACULAR,tags:West Hollywood - California / 2016,display:true,pin:false,pin_options:{},in_nav:false,is_homepage:false,backdrop_enabled:true,is_set:false,stack:false,excerpt:SUNSET SPECTACULAR West Hollywood, California / 2016 The history of the American billboard tracks the larger cultural and...,content: SUNSET SPECTACULAR West Hollywood, California / 2016 The history of the American billboard tracks the larger cultural and technological trajectory of media distribution and aesthetic sensibilities. In the early 20th century, the billboard emerged as a large sign or three-dimensional icon, often calling attention to immediate building functions or domestic products. With the mid-century explosion of car culture and the film industry, the billboard was transformed into something non-local, representing filmic worlds in wide-screen formats. Sunset Boulevard has played a distinct role in the evolution of the billboard, particularly in the 60u2019s and 70u2019s, with edgy content, protruding elements, and promotional appearances by music stars. Eventually, the two-dimensionality of the billboard moved towards three-dimensionality, producing a sign that was simultaneously an object. Sunset Spectacular builds on this legacy with an iconic object-billboard that features an unprecedented breadth of commercial, cultural, and interactive media content. Urban Archetype The Sunset Spectacular avoids the ubiquitous u201csign-on-a-sticku201d billboard typology in favor of something spatial and interactive. Like ancient bell-towers, clock-towers, and obelisks, the projectu2019s vertical orientation connects it to a urban archetype ociated with civic space and community engagement. Expressing the contemporary transition from centrally-controlled media empires to a greater diversity of marketing strategies and stakeholders, it speaks to a world where commercial and cultural content can be hybridized and media is no longer just a way of advertising, but a way of life. Art On its faceted outer petals, the Sunset Spectacular allows for a combination of commercial and cultural media. The project will feature site-specific art curated by cultural institutions like MOCA and the West Hollywood Arts and Cultural Affairs Commission with a goal of engaging the community with important art of our time. Multimedia art will be integrated in sustained blocks alongside commercial advertising, producing a serene, and sometimes surprising, experience that is woven into the everyday life of local residents and visitors. Made of perforated metal, the east and west-facing outer petals feature embedded high-resolution LED technology. The Inner World The interior space of the Sunset Spectacular engages the public imagination. It contains a nested sculptural object programmed with multi-media art and interactive media that is primarily intended to engage the pedestrian and can only be glimpsed briefly by p ing drivers. Pedestrians can interact with the interior object via smartphones apps that allow them to access information about featured artwork or to push digitally altered media content onto the sculptural objectu2019s surfaces. Public Space / Digital Space The Sunset Spectacular is linked to the City of West Hollywood through an inviting public square where pedestrians meet, relax, and play. When the square is used for cultural events, the Sunset Spectacular can serve as a live-feed backdrop. Drought-tolerant landscaping and festive lanterns connect the public square to the local environment and provide an integrated social experience. Ultimately, the significance of this project is to simultaneously exist in two realms: the local physical space of the Sunset and the global digital space of social media. Potentially the most u201cInstagrammableu201d billboard, this project will actively share the uniqueness and creativity of West Hollywood with the world. Client: City of West Hollywood Builder/ Operator: Orange Barrel Media Architect: Tom Wiscombe Architecture Museum Partner: MOCA Structural: Walter P MooreCost Estimating: MGACRendering: Kilograph (Image 1) ,content_no_html: SUNSET SPECTACULAR West Hollywood, California / 2016 {image 82} {image 84} {image 85} {image 86} {image 87} {image 88} {image 89} {image 106} {image 91} {image 92} {image 93} {image 94} {image 95} {image 110} {image 97} {image 98} {image 99} {image 100} {image 101} {image 102} {image 113} {image 112} {image 114} The history of the American billboard tracks the larger cultural and technological trajectory of media distribution and aesthetic sensibilities. In the early 20th century, the billboard emerged as a large sign or three-dimensional icon, often calling attention to immediate building functions or domestic products. With the mid-century explosion of car culture and the film industry, the billboard was transformed into something non-local, representing filmic worlds in wide-screen formats. Sunset Boulevard has played a distinct role in the evolution of the billboard, particularly in the 60u2019s and 70u2019s, with edgy content, protruding elements, and promotional appearances by music stars. Eventually, the two-dimensionality of the billboard moved towards three-dimensionality, producing a sign that was simultaneously an object. Sunset Spectacular builds on this legacy with an iconic object-billboard that features an unprecedented breadth of commercial, cultural, and interactive media content. Urban Archetype The Sunset Spectacular avoids the ubiquitous u201csign-on-a-sticku201d billboard typology in favor of something spatial and interactive. Like ancient bell-towers, clock-towers, and obelisks, the projectu2019s vertical orientation connects it to a urban archetype ociated with civic space and community engagement. Expressing the contemporary transition from centrally-controlled media empires to a greater diversity of marketing strategies and stakeholders, it speaks to a world where commercial and cultural content can be hybridized and media is no longer just a way of advertising, but a way of life. {image 80} Art On its faceted outer petals, the Sunset Spectacular allows for a combination of commercial and cultural media. The project will feature site-specific art curated by cultural institutions like MOCA and the West Hollywood Arts and Cultural Affairs Commission with a goal of engaging the community with important art of our time. Multimedia art will be integrated in sustained blocks alongside commercial advertising, producing a serene, and sometimes surprising, experience that is woven into the everyday life of local residents and visitors. Made of perforated metal, the east and west-facing outer petals feature embedded high-resolution LED technology. The Inner World The interior space of the Sunset Spectacular engages the public imagination. It contains a nested sculptural object programmed with multi-media art and interactive media that is primarily intended to engage the pedestrian and can only be glimpsed briefly by p ing drivers. Pedestrians can interact with the interior object via smartphones apps that allow them to access information about featured artwork or to push digitally altered media content onto the sculptural objectu2019s surfaces. {image 93} Public Space / Digital Space The Sunset Spectacular is linked to the City of West Hollywood through an inviting public square where pedestrians meet, relax, and play. When the square is used for cultural events, the Sunset Spectacular can serve as a live-feed backdrop. Drought-tolerant landscaping and festive lanterns connect the public square to the local environment and provide an integrated social experience. Ultimately, the significance of this project is to simultaneously exist in two realms: the local physical space of the Sunset and the global digital space of social media. Potentially the most u201cInstagrammableu201d billboard, this project will actively share the uniqueness and creativity of West Hollywood with the world. Client: City of West Hollywood Builder/ Operator: Orange Barrel Media Architect: Tom Wiscombe Architecture Museum Partner: MOCA Structural: Walter P MooreCost Estimating: MGACRendering: Kilograph (Image 1) {image 109} ,content_partial_html: SUNSET SPECTACULAR West Hollywood, California / 2016 The history of the American billboard tracks the larger cultural and technological trajectory of media distribution and aesthetic sensibilities. In the early 20th century, the billboard emerged as a large sign or three-dimensional icon, often calling attention to immediate building functions or domestic products. With the mid-century explosion of car culture and the film industry, the billboard was transformed into something non-local, representing filmic worlds in wide-screen formats. Sunset Boulevard has played a distinct role in the evolution of the billboard, particularly in the 60u2019s and 70u2019s, with edgy content, protruding elements, and promotional appearances by music stars. Eventually, the two-dimensionality of the billboard moved towards three-dimensionality, producing a sign that was simultaneously an object. Sunset Spectacular builds on this legacy with an iconic object-billboard that features an unprecedented breadth of commercial, cultural, and interactive media content. Urban Archetype The Sunset Spectacular avoids the ubiquitous u201csign-on-a-sticku201d billboard typology in favor of something spatial and interactive. Like ancient bell-towers, clock-towers, and obelisks, the projectu2019s vertical orientation connects it to a urban archetype ociated with civic space and community engagement. Expressing the contemporary transition from centrally-controlled media empires to a greater diversity of marketing strategies and stakeholders, it speaks to a world where commercial and cultural content can be hybridized and media is no longer just a way of advertising, but a way of life. Art On its faceted outer petals, the Sunset Spectacular allows for a combination of commercial and cultural media. The project will feature site-specific art curated by cultural institutions like MOCA and the West Hollywood Arts and Cultural Affairs Commission with a goal of engaging the community with important art of our time. Multimedia art will be integrated in sustained blocks alongside commercial advertising, producing a serene, and sometimes surprising, experience that is woven into the everyday life of local residents and visitors. Made of perforated metal, the east and west-facing outer petals feature embedded high-resolution LED technology. The Inner World The interior space of the Sunset Spectacular engages the public imagination. It contains a nested sculptural object programmed with multi-media art and interactive media that is primarily intended to engage the pedestri

Tom Wiscombe Architecture

BLOCKCHAINS CITY SPARKS, Nevada / 2018 In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of...

BLOCKCHAINS CITY SPARKS, Nevada / 2018 In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal ,content_no_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 {image 78} {image 79} {image 88} {image 81} {image 82} {image 83} {image 84} {image 85} {image 86} {image 87} In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal {image 78}{image 79}{image 81} ,content_partial_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal ,thumb:27838667,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:27838667,project_id:5527660,image_ref:{image 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Tom Wiscombe, AIA, has thirty years of experience on projects ranging from museums to multiplex cinemas, brand centers, and sports arenas. He has led many projects from competition to completion in countries including Germany, China, France, and the U.S., overseeing large teams of architects, engineers, and consultants in the process. The office is committed to building and leading expert international teams in different cultural settings to deliver the highest quality projects. We also bring leadership in the latest building technology, energy efficiency, and digital craft to the table. While we are primarily known for our iconic design work, our office is also committed to research into new workflows, materials, and methods of construction for the future. Each project is developed meti usly in a three-dimensional environment to control form, coordinate systems, visualize construction sequencing, and model cost. ,content_no_html:  Tom Wiscombe Architecture is a full service architecture studio that specializes in civic, cultural, entertainment, workplace, and infrastructural projects. Tom Wiscombe, AIA, has thirty years of experience on projects ranging from museums to multiplex cinemas, brand centers, and sports arenas. He has led many projects from competition to completion in countries including Germany, China, France, and the U.S., overseeing large teams of architects, engineers, and consultants in the process. The office is committed to building and leading expert international teams in different cultural settings to deliver the highest quality projects. We also bring leadership in the latest building technology, energy efficiency, and digital craft to the table. While we are primarily known for our iconic design work, our office is also committed to research into new workflows, materials, and methods of construction for the future. Each project is developed meti usly in a three-dimensional environment to control form, coordinate systems, visualize construction sequencing, and model cost. {image 14 scale=100} {image 11} {image 9} {image 13} {image 15} {image 10} {image 6} {image 19} ,content_partial_html:  Tom Wiscombe Architecture is a full service architecture studio that specializes in civic, cultural, entertainment, workplace, and infrastructural projects. Tom Wiscombe, AIA, has thirty years of experience on projects ranging from museums to multiplex cinemas, brand centers, and sports arenas. He has led many projects from competition to completion in countries including Germany, China, France, and the U.S., overseeing large teams of architects, engineers, and consultants in the process. 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2014-2017,excerpt:THE MAIN MUSEUM OF LOS ANGELES ARTLos Angeles, California / 2014-2017 The Main Museum of Los Angeles Art is...,thumb:25526986,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25526986,project_id:5063944,image_ref:{image 140},name:1.jpg,hash:bf1306806dade37b0bd5718b484a91a8784a8dacf87f4961908123a863bbe3d9,width:2500,height:1730,sort:0,date_added:1538699522},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Los Angeles - California / 2014-2017},{id:5057265,url: ER-S-MERCHANT-S-RESTAURANT,project_url: ER-S-MERCHANT-S-RESTAURANT,title: ER'S & MERCHANT'S RESTAURANT,title_no_html: ER'S & MERCHANT'S RESTAURANT,tags:Los Angeles - California / 2016,excerpt: ERu2019S AND MERCHANTu2019S RESTAURANTLos Angeles, California / 2016 A Museum Inside a...,thumb:25492603,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25492603,project_id:5057265,image_ref:{image 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2015},{id:4979758,url:KINMEN-PORT-TERMINAL,project_url:KINMEN-PORT-TERMINAL,title:KINMEN PORT TERMINAL,title_no_html:KINMEN PORT TERMINAL,tags:Kinmen Island, Taiwan / 2014,excerpt:KINMEN PORT TERMINAL Kinmen Island, Taiwan / 2014 More than a piece of infrastructure, this proposal for the...,thumb:25099130,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25099130,project_id:4979758,image_ref:{image 60},name:1.jpg,hash:e543b10935b811f245163bdbcfaa3cb88aae077a5c30dbfd053637d89e145017,width:2500,height:1730,sort:0,date_added:1538156481},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Kinmen Island, Taiwan / 2014},{id:5026254,url:PETROLEUM-ROOFTOP-1,project_url:PETROLEUM-ROOFTOP-1,title:PETROLEUM ROOFTOP,title_no_html:PETROLEUM ROOFTOP,tags:Los Angeles - California / 2016,excerpt:PETROLEUM ROOFTOP Los Angeles, California / 2016 The Petroleum building, built in 1925, is one of the most important 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2018},{id:5063942,url:GRIFFITH-PARK-HOUSE-1,project_url:GRIFFITH-PARK-HOUSE-1,title:GRIFFITH PARK HOUSE,title_no_html:GRIFFITH PARK HOUSE,tags:Los Angeles - California / 2015,excerpt:GRIFFITH PARK HOUSE Los Angeles, California / 2015 Located in Griffith Park, this private residence explores the...,thumb:25526937,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25526937,project_id:5063942,image_ref:{image 1},name:1.jpg,hash:2a1128a1274569d608913e6b2e6e493923a9a3c8875011ae533b5530562267e4,width:2500,height:1730,sort:0,date_added:1538699509},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Los Angeles - California / 2015},{id:4982810,url:LG-PHANTOM,project_url:LG-PHANTOM,title:LG PHANTOM,title_no_html:LG PHANTOM,tags:Milan - Italy / 2016,excerpt:LG PHANTOM Milan, Italy / 2016 Designed for the 2017 Milan Lighting Fair for the high-profile Superstudio space, this installation is a...,thumb:25113400,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25113400,project_id:4982810,image_ref:{image 15},name:1.jpg,hash:97c75a53e9aed03d9a1a4c74b56fde923a567ee66cfd64a618f7c3883b7b85d2,width:2500,height:1730,sort:0,date_added:1538174317},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Milan - Italy / 2016},{id:4982825,url:BETA-MAIN,project_url:BETA-MAIN,title:BETA MAIN,title_no_html:BETA MAIN,tags:Los Angeles - California / 2016,excerpt:BETA MAINLos Angeles, California / 2016 Beta Main is a test site for art and public engagement that will open in advance of the Main Museum of...,thumb:25113586,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25113586,project_id:4982825,image_ref:{image 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2016},{id:4982982,url:MEDIA-ORITE,project_url:MEDIA-ORITE,title:MEDIA-ORITE,title_no_html:MEDIA-ORITE,tags:Los Angeles - California / 2016,excerpt:MEDIA-ORITE Los Angeles, California / 2016 Located in a center traffic island in East Hollywood, this animated LED billboard spectacular...,thumb:25115197,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25115197,project_id:4982982,image_ref:{image 1},name:1.jpg,hash:678e0c55f89a3cc6a5b1068cc3c97380dbf0b974b0e106bf99ae195cde65bfb9,width:2500,height:1730,sort:0,date_added:1538176081},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Los Angeles - California / 2016},{id:4983157,url:TECTONIC-FICTIONS,project_url:TECTONIC-FICTIONS,title:TECTONIC FICTIONS,title_no_html:TECTONIC FICTIONS,tags:Los Angeles - California / 2016,excerpt:TECTONIC FICTIONSu00a0 Los Angeles, California / 2016 This prototype is a chunk of the Cafe of the The Main Museum. 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Finland / 2015},{id:4983239,url:NATIONAL-CENTER-FOR-CONTEMPORARY-ARTS,project_url:NATIONAL-CENTER-FOR-CONTEMPORARY-ARTS,title:NATIONAL CENTER FOR CONTEMPORARY ARTS,title_no_html:NATIONAL CENTER FOR CONTEMPORARY ARTS,tags:Moscow - Russia / 2013,excerpt:NATIONAL CENTER FOR CONTEMPORARY ARTS Moscow, Russia / 2013 This proposal for the Moscow Center for Contemporary Art is...,thumb:25116824,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25116824,project_id:4983239,image_ref:{image 32},name:1.jpg,hash:4f0c479591d249f5756429ed976609fbbd23c1d4342f0f02c78f7bd12473b105,width:2500,height:1730,sort:0,date_added:1538177823},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Moscow - Russia / 2013},{id:4983508,url:WATERFRONT-GATEWAY-HOUSING,project_url:WATERFRONT-GATEWAY-HOUSING,title:WATERFRONT GATEWAY HOUSING,title_no_html:WATERFRONT GATEWAY HOUSING,tags:New Rochelle - New York / 2013,excerpt:WATERFRONT GATEWAY HOUSING New Rochelle, New York / 2013 Waterfront Gateway Housing is an ensemble of three discrete yet interacting...,thumb:25117047,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25117047,project_id:4983508,image_ref:{image 42},name:1.jpg,hash:b696e9e0cdfea0379b43c8b415f2228ead9c521dadabb13f7e3803e3c74b83b4,width:2500,height:1730,sort:0,date_added:1538178277},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:New Rochelle - 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Taiwan / 2013},{id:4983743,url:LG-BLACK-DIAMOND,project_url:LG-BLACK-DIAMOND,title:LG BLACK DIAMOND,title_no_html:LG BLACK DIAMOND,tags:Berlin - Germany / 2016,excerpt:LG BLACK DIAMOND Berlin, Germany, 2016 Contemporary television is simultaneously ultra-flat and coupled with high-fidelity picture depth, such...,thumb:25118742,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25118742,project_id:4983743,image_ref:{image 39},name:180911_lg_bd_RES_WEB_0009_1.jpg,hash:43f616386a4036c7a0a0559f425b11346fe77d9cd3c3da3a321fa795231ef75c,width:2500,height:1730,sort:0,date_added:1538182589},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Berlin - Germany / 2016},{id:5029225,url:COLLIDER-ACTIVITY-CENTER-1,project_url:COLLIDER-ACTIVITY-CENTER-1,title:COLLIDER ACTIVITY CENTER,title_no_html:COLLIDER ACTIVITY CENTER,tags:Sofia - Bulgaria / 2012,excerpt:COLLIDER ACTIVITY CENTERSofia, Bulgaria / 2012 This proposal is for a twenty-first century brand center for Walltopia, the climbing...,thumb:25353678,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25353678,project_id:5029225,image_ref:{image 1},name:180911_collider_RES_WEB_0019_1.jpg,hash:b1127d73f2d2f7595257a7e07ccbdab68b087c2c692ac20debe351f93f1e94cf,width:2500,height:1730,sort:0,date_added:1538518944},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Sofia - 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Switzerland / 2012},{id:4346937,url

EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal ,content_no_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 {image 78} {image 79} {image 88} {image 81} {image 82} {image 83} {image 84} {image 85} {image 86} {image 87} In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. EYRC Architects ue04bufe0e Blockchains, LLC ue04bufe0e Blockchains Launch Video: Sandbox City ue04bufe0e Blockchains Launch Video: Today ue04bufe0e Blockchains City in the New York Times ue04bufe0e Blockchains City in The Architectu2019s Newspaper ue04bufe0eBlockchains City on Archdaily ue04bufe0e Blockchains City on Archinect ue04bufe0e Blockchains City on Dezeen ue04bufe0e Owner: Blockchains, LLCArchitecture: EYRC Architects + Tom Wiscombe ArchitectureVisualization: EYRC Architects + Tom Wiscombe ArchitectureHolo-Gauze Animation: Digital DomainAdditional Media ets: Postal {image 78}{image 79}{image 81} ,content_partial_html: BLOCKCHAINS CITY SPARKS, Nevada / 2018 In 2018, Blockchains, LLC acquired more than 67,000 acres of land in Northern Nevada for the purpose of building a new kind of business and residential community. This land, which is called Innovation Park, will be developed into a smart city with decentralized blockchain underlying all infrastructure. Among other projects, the city will include a highly secured, high-tech Blockchains Campus that joins blockchain technology with artificial intelligence (AI), 3D printing and nanotechnology; residential units that will provide a new living environment to thousands; and various financial, business and retail concepts that will take advantage of emerging technologies.The city aims to showcase how business development, residential living and commerce can flourish alongside world changing technologies. Efficiency, sustainability, transparency and provenance will not be compromised, but guaranteed. Multiple innovative technologies will change the way its residents interact on a daily basis and blockchain technology will be at the center of it all u2013 keeping systems honest, fair and democratic. To this end, Blockchains, LLC has engaged Ehrlich Yanai Rhee Chaney Architects + Tom Wiscombe Architecture to ist in the vision of this environment and the architectural possibilities unleashed with the integration of this paradigm shifting technology. To support innovation and collaboration on this scale, new building typologies have been developed to support communication and creativity, such as m ive workplace/manufacturing hybrids, where inventions are prototyped and where they are conceived. Large interior civic-scale spaces and shaded green courtyards serve as community areas for meeting, learning, and possibly the next disruptive idea. Autonomous vehicles, rather than simply moving between buildings, can also provide circulation inside and through vast buildings. For those who will call this smart city home, the integration of these advanced technologies will provide tangible improvements to the human experience. When planning for vehicles that are autonomous and 100% electric, the living environment and pedestrian experience can be made human-centric (safe, quiet, clean) rather than car-centric. The city will allow individuals, couples and families to thrive, providing a range of housing opportunities from single family on the hillside, to communal living with shared amenities in larger multi-family / mixed use buildings below. Civic centers, schools, and commercial areas are woven throughout, creating density, walkability and above all, community.With the concept of regenerative design at its core, the city will be grounded within its high desert home. Energy will be provided by renewable sources such as next generation solar and wind. Water, the most precious resource, will be recycled and reclaimed to get the most from every drop. The buildings will seek to integrate within this landscape, connecting inhabitants to the environment and to the desert sublime. 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Tom Wiscombe, AIA, has thirty years of experience on projects ranging from museums to multiplex cinemas, brand centers, and sports arenas. He has led many projects from competition to completion in countries including Germany, China, France, and the U.S., overseeing large teams of architects, engineers, and consultants in the process. The office is committed to building and leading expert international teams in different cultural settings to deliver the highest quality projects. We also bring leadership in the latest building technology, energy efficiency, and digital craft to the table. While we are primarily known for our iconic design work, our office is also committed to research into new workflows, materials, and methods of construction for the future. Each project is developed meti usly in a three-dimensional environment to control form, coordinate systems, visualize construction sequencing, and model cost. ,content_no_html:  Tom Wiscombe Architecture is a full service architecture studio that specializes in civic, cultural, entertainment, workplace, and infrastructural projects. Tom Wiscombe, AIA, has thirty years of experience on projects ranging from museums to multiplex cinemas, brand centers, and sports arenas. He has led many projects from competition to completion in countries including Germany, China, France, and the U.S., overseeing large teams of architects, engineers, and consultants in the process. The office is committed to building and leading expert international teams in different cultural settings to deliver the highest quality projects. We also bring leadership in the latest building technology, energy efficiency, and digital craft to the table. While we are primarily known for our iconic design work, our office is also committed to research into new workflows, materials, and methods of construction for the future. Each project is developed meti usly in a three-dimensional environment to control form, coordinate systems, visualize construction sequencing, and model cost. {image 14 scale=100} {image 11} {image 9} {image 13} {image 15} {image 10} {image 6} {image 19} ,content_partial_html:  Tom Wiscombe Architecture is a full service architecture studio that specializes in civic, cultural, entertainment, workplace, and infrastructural projects. Tom Wiscombe, AIA, has thirty years of experience on projects ranging from museums to multiplex cinemas, brand centers, and sports arenas. He has led many projects from competition to completion in countries including Germany, China, France, and the U.S., overseeing large teams of architects, engineers, and consultants in the process. 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a...,thumb:25113400,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25113400,project_id:4982810,image_ref:{image 15},name:1.jpg,hash:97c75a53e9aed03d9a1a4c74b56fde923a567ee66cfd64a618f7c3883b7b85d2,width:2500,height:1730,sort:0,date_added:1538174317},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Milan - Italy / 2016},{id:4982825,url:BETA-MAIN,project_url:BETA-MAIN,title:BETA MAIN,title_no_html:BETA MAIN,tags:Los Angeles - California / 2016,excerpt:BETA MAINLos Angeles, California / 2016 Beta Main is a test site for art and public engagement that will open in advance of the Main Museum of...,thumb:25113586,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25113586,project_id:4982825,image_ref:{image 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Bulgaria / 2012},{id:4346934,url:THE-FIGURAL-JOINT,project_url:THE-FIGURAL-JOINT,title:THE FIGURAL JOINT,title_no_html:THE FIGURAL JOINT,tags:Tallinn - Estonia / 2015,excerpt:THE FIGURAL JOINTTallinn, Estonia / 2015 Presented at the 2015 Tallinn Biennale, this prototype examines the disciplinary status of...,thumb:25119500,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25119500,project_id:4346934,image_ref:{image 1},name:180911_figural_joint_RES_WEB_0017_1.jpg,hash:223999981461cfe25e67a2df312762c12c14b7a4e6d306ad31d48ebe7eb26c7f,width:2500,height:1730,sort:0,date_added:1538183536},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Tallinn - Estonia / 2015},{id:4346936,url:LO-MONACO-HOUSE,project_url:LO-MONACO-HOUSE,title:LO MONACO HOUSE,title_no_html:LO MONACO HOUSE,tags:Lugano - Switzerland / 2012,excerpt:LO MONACO HOUSE Lugano, Switzerland / 2012 A single family house perched above Lake Lugano, this project consists of two main...,thumb:25120253,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25120253,project_id:4346936,image_ref:{image 1},name:180911_lo_monaco_RES_WEB_0010_1.jpg,hash:28422d93e10f2645d617d59713bec7fea9f98c55ba961dae76ae7d69402dfb48,width:2500,height:1730,sort:0,date_added:1538184176},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Lugano - Switzerland / 2012},{id:4346937,url:MOCA-PAVILION,project_url:MOCA-PAVILION,title:MOCA PAVILION,title_no_html:MOCA PAVILION,tags:Los Angeles - California / 2013,excerpt:MOCA PAVILIONLos Angeles, California / 2013 Near Figuration and Dark Involutions Featured in the MoCAu2019s 2013 exhibition, A New...,thumb:25120301,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25120301,project_id:4346937,image_ref:{image 55},name:180911_moca_pavilion_RES_WEB_0013_4.jpg,hash:74cf268df77823ad3dda23c3ab838f10ef69338a8e611d2721041cb2ac2a0b5f,width:2500,height:1730,sort:0,date_added:1538184523},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Los Angeles - California / 2013},{id:5029884,url:MOMA-P-S-1-URBAN-BEACH-1,project_url:MOMA-P-S-1-URBAN-BEACH-1,title:MOMA / P.S.1 URBAN BEACH,title_no_html:MOMA / P.S.1 URBAN BEACH,tags:New York City - New York / 2003,excerpt:MOMA / P.S.1 URBAN BEACH New York City, New York / 2003 Realized in 2003 at the P.S.1 Contemporary Art Center courtyard, the...,thumb:25357332,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25357332,project_id:5029884,image_ref:{image 1},name:180911_moma_ps1_RES_WEB_0018_1.jpg,hash:9f8cce767849b70c69aadf25f4ba1b1c7a8743193fa45960cb80b7392fed1a24,width:2500,height:1730,sort:0,date_added:1538525939},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:New York City - New York / 2003},{id:4346946,url:POP-MUSIC-CENTER,project_url:POP-MUSIC-CENTER,title:POP MUSIC CENTER,title_no_html:POP MUSIC CENTER,tags:Kaohsiung - Taiwan / 2010,excerpt:POP MUSIC CENTER Kaohsiung, Taiwan / 2010 Intended to re-invigorate the Port of Kaohsiung as a cultural destination, this design...,thumb:25120387,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25120387,project_id:4346946,image_ref:{image 29},name:180911_pop_music_RES_WEB_0012_1.jpg,hash:6bf6be02d7a25b0b7392950c0c79956d059f900e513bd4031fbb283c7669ab96,width:2500,height:1730,sort:0,date_added:1538185225},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:4346879,tags_with_links:Kaohsiung - Taiwan / 2010},{id:4346954,url:CHINESE-UNIVERSITY-OF-HONG-KONG-SPORTS-COMPLEX,project_url:CHINESE-UNIVERSITY-OF-HONG-KONG-SPORTS-COMPLEX,title:CHINESE UNIVERSITY OF HONG KONG SPORTS COMPLEX,title_no_html:CHINESE UNIVERSITY OF HONG KONG SPORTS COMPLEX,tags:Shenzhen - China / 2012,excerpt:CHINESE UNIVERSITY OF HONG KONG SPORTS COMPLEXShenzhen, China / 2012 This proposal for a 5,000 seat multifunctional arena and sports...,thumb:25120481,thumb_meta:{thumbnail_crop:{percentWidth:100,marginLeft:0,marginTop:0,imageModel:{id:25120481,project_id:4346954,image_ref:{image 1},name:180911_chuhk_HIGH_RES_WEB_0000_1.jpg,hash:4659e95aab6a33347c8740e6ebc03ae3f4a0b35f25cf5d4163e29cea1d977d39,width:2500,height:1730,sort:0,date_added:1538185505},stored:{ratio:69.2,crop_ratio:16x9},cropManuallySet:false}},set_id:43468