Insights on wastelandmovie.com
Wastelandmovie.com receives about 134 visitors in one month.
That could possibly earn about $0.67 each month or $0.02 each day.
Traffic and Value (estimated)
| Website Value | $13 |
| Alexa Rank | 23746085 |
| Monthly Visits | 134 |
| Daily Visits | 5 |
| Monthly Earnings | $0.67 |
| Daily Earnings | $0.02 |
Traffic by Months (estimated)
Server Connection Speed
Wastelandmovie.com main page was reached and loaded in 0.49 seconds. (Timing result excludes loading JavaScript, images and styles).
More Domains on 88.208.252.193 IP
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Website is marked as "not safe" if any part of its content has images or text that could be related to explicit "not family safe" material. Neighboring such websites could be a dangerous sign for any webmaster who cares about SEO traffic. Often "non family safe" websites use tedious link building methods. It is not a secret that Google may apply sanctions because of low quality mass link building and if a server is full of websites that are potentially could be banned then sanctions could be applied to the whole server. If wastelandmovie.com is found on this server theoretically it may be banned as well as all other websites on this server's IP.
Wastelandmovie.com Whois
Wastelandmovie.com Server Location
Country: United Kingdom
Metropolitan Area: Not defined
Postal Reference Code: Not defined
Latitude: 51.4964
Longitude: -0.1224
Wastelandmovie.com Main Page Content
| HTML Tag | Content | Informative? |
|---|---|---|
| Title: | WASTE LAND | Could be improved |
| Description: | Filmed over nearly three years, WASTE LAND follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world's largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of “catadoresâ€â€”self-designated pickers of recyclable materials. Muniz’s initial objective was to “paint†the catadores with garbage. However, his collaboration with these inspiring characters as they recreate photographic images of themselves out of garbage reveals both the dignity and despair of the catadores as they begin to re-imagine their lives. Director Lucy Walker (DEVIL’S PLAYGROUND, BLINDSIGHT, COUNTDOWN TO ZERO) has great access to the entire process and, in the end, offers stirring evidence of the transformative power of art and the alchemy of the human spirit. | |
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